periode

bevægelse

stemning

emner

1. Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods — Thomas Rowlandson
2. Drawing of Mars, god of war, preparatory Olympians — francisco bayeu y subias
3. Composition study for Gods of the Modern World — José Clemente Orozco

nøgleord

tone

primær farve

1. Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods — Thomas Rowlandson
2. Hotei, The God Of Good Fortune, One Of The Seven Lucky Gods — Hokusai
3. Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies — Jacob Lawrence, 1989
4. American Neutrality Obverse — karl otto götz, 1915
5. Hand of God the Father — Albrecht Dürer
6. God made the world and all things therein.and has made of one blood all nations of men for to dwell on the face of the earth. St. Paul. Fromthe series Great Ideas of Western Man — Herbert Bayer, 1958
7. Drawing of Mars, god of war, preparatory Olympians — francisco bayeu y subias
8. The Day of Gods (Mahana Atua) — Paul Gauguin
9. The Feast of the Gods — Titian, 1529
10. God Speed! — lourens alma tadema, 1893
11. God the Father — Guercino
12. Composition study for Gods of the Modern World — José Clemente Orozco
13. The Mother of God of Tenderness (Theotokos of God of Belozersk) — orthodox icons, 1250
14. Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” — chobunsai eishi, 801
15. Job Confessing his Presumption to God who Answers from the Whirlwind — William Blake, 1803
16. Hotei, Gud For Lykke, En Af De Syv Heldige Guder — Hokusai
17. God — Douglas Coupland
18. I am an Extraterrestrial: Project for Meeting with Tenjin (Heavenly Gods): Project for Extraterrestrials No.4 — Cai Guo-Qiang

andet

1. God Takes Hold — Thomas Hart Benton
2. The anger of gods — René Magritte, 1960
3. God-willed Dependence from The Face of the Ruling Classes — George Grosz
4. Have mercy on me God — Georges Rouault
5. Tower of Babel, Garden of the Gods — William Henry Jackson, 1880
6. God is Love — Regopstaan Boesman, 2000