period

movement

1. Male Nude Study (red chalk) — Michelangelo Buonarroti
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — Michelangelo Buonarroti, 1504
3. Jumalan Pojan tutkimus — Rafael, 1515
4. Madonna Studies — Rafael, 1513
5. A Kneeling Nude Woman with her Left Arm Raised — Raphael Coxcie, 1518
6. Pyhä perhe -luonnos — Rafael, 1518
7. Study of nudes — Luca Signorelli, 1500

vibe

1. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — Michelangelo Buonarroti, 1504

topics

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
2. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
3. A Kneeling Nude Woman with her Left Arm Raised — Raphael Coxcie, 1518

keywords

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
2. Study of nudes — Luca Signorelli, 1500

tone

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583

main color

1. Madonna Studies — Rafael, 1513
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — Michelangelo Buonarroti, 1504
3. A Kneeling Nude Woman with her Left Arm Raised — Raphael Coxcie, 1518
4. Pyhä perhe -luonnos — Rafael, 1518
5. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
7. Jumalan Pojan tutkimus — Rafael, 1515
8. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579

other