période

1. Autumn on the River (Miss Violet Sargent) — John Singer Sargent
2. Emily Sargent — John Singer Sargent, 1877
3. Mrs. Daniel Sargent Curtis — John Singer Sargent, 1882
4. Marronniers et ferme au Jas de Bouffan — Paul Cézanne, 1885
5. Violet Sargent — John Singer Sargent, 1887
6. Generalife, Granada — Joaquín Sorolla
7. Alice Wernher born Alice Sedgwick Mankiewicz — John Singer Sargent, 1902
8. Corner of the LIbreria, Venice — John Singer Sargent, 1903
9. Miss Wedewood and Miss Sargent Sketching — John Singer Sargent
10. Olive Trees — John Singer Sargent, 1878
11. Villa Torlonia Fountain — John Singer Sargent, 1907

mouvement

ambiance

1. Alhambra, Patio de la Reja — John Singer Sargent, 1879
2. Les Jardins des Adarves, l'Alhambra, Grenade — Joaquín Sorolla, 1919
3. Marronniers et ferme au Jas de Bouffan — Paul Cézanne, 1885
4. Generalife, Granada — Joaquín Sorolla
5. Villa Torlonia Fountain — John Singer Sargent, 1907

thématiques

mots-clés

tonalité

1. Marronniers et ferme au Jas de Bouffan — Paul Cézanne, 1885
2. Villa Torlonia Fountain — John Singer Sargent, 1907

couleur principale

1. Cemetery among the cypress — Vasili Polenov, 1897
2. Olive Trees — John Singer Sargent, 1878
3. Marronniers et ferme au Jas de Bouffan — Paul Cézanne, 1885
4. Les Jardins des Adarves, l'Alhambra, Grenade — Joaquín Sorolla, 1919
5. Corfu The Terrace — John Singer Sargent, 1909
6. Villa Torlonia Fountain — John Singer Sargent, 1907
7. Sunny Day1 — Isaak Ilyich Levitan
8. Alhambra, Patio de la Reja — John Singer Sargent, 1879
9. Étude pour musiciens assis « El Jaleo » — John Singer Sargent, 1880
10. Untitled print sleeve with woodblock print — Chiura Obata, 1930
11. Mrs. Daniel Sargent Curtis — John Singer Sargent, 1882
12. Paisaje — Fernando Álvarez De Sotomayor
13. Chateau de Madan — Paul Cézanne, 1881
14. Pompeii — Vassili Sourikov, 1884
15. villa castellani belloguardo — Frank Duveneck

autre

1. Violette Sargent — John Singer Sargent, 1887
2. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977