période

mouvement

atmosphère

thématiques

1. Sketch 5 — Thomas Sully
2. Portrait of Man — Thomas Sully
3. Sketch 34 — Thomas Sully
4. Sketch 44 — Thomas Sully
5. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Thomas Sully
6. Compositional Study. Standing Draped Man, Female Figure — Thomas Sully
7. Portrait of Seated Man with Pen and Paper; Standing Female Nude, Rear View — Thomas Sully

mots-clés

tonalité

couleur principale

1. Portrait of Seated Man with Pen and Paper; Standing Female Nude, Rear View — Thomas Sully
2. Sketch 34 — Thomas Sully
3. Dying Figure in the Arjpg of a Woman; Praying Woman; Standing Woman; Architectual Detail; Sleeping Figure — Thomas Sully
4. Sketch 5 — Thomas Sully
5. Sketch 41 — Thomas Sully
6. Sketch 35 — Thomas Sully
7. Compositional Study. Standing Draped Man, Female Figure — Thomas Sully
8. Sketch 44 — Thomas Sully
9. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Thomas Sully
10. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Barocci, 1569
11. Cursory sketch 2 — Nicolas Roerich
12. Reclining Female Nude in Landscape; Two Architectural Sketches — Thomas Sully
13. Seven Figures. Advancing Monarch, Three Promenading Women, Half-length Woman Leaning on a Mantelpiece — Thomas Sully
14. Sketch 82 — George Romney
15. Sketch 160 — George Romney
16. Composition sketch for ''They Drag Them Along'' — Nicolas Roerich
17. Composition sketch 1 — Nicolas Roerich
18. Guitarist. A Sketch. — Pyotr Konchalovski, 1913
19. Untitled sketch of figures playing violin — hildegard anna augusta elisabeth freiin rebay von ehrenwiesen
20. Croquis du Christ au milieu des montagnes — Nicolas Roerich
21. Portrait of Man — Thomas Sully

autre

1. Several sketches — Nicolas Roerich
2. Sketch of three figures 1 — Nicolas Roerich
3. Two Men at a Table, Man Eating (from Switzerland 1869 Sketchbook) — John Singer Sargent, 1869