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período

energia

temas

palavras-chave

tom

cor principal

  1. Landscape with Foliage (Paysage aux frondaisons) — jean philippe arthur dubuffet, 1953
  2. Rock Text (Texte de roche) from the portfolio Waters, Stones, Sand (Eaux, Pierres, Sable) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1959
  3. Study for ''Ursine Park'' 5 — Stuart Davis
  4. Evolving Portrait (Portrait aux développements) — jean philippe arthur dubuffet, 1952
  5. 'The album ''Circus''' (21) — Fernand Léger, 1950
  6. Corps de Dame — jean philippe arthur dubuffet, 1950
  7. Cubo-Futurism. Dynamic Sensory Experience of a Model — Kazimir Malevich
  8. Geometry (Géométrie) — jean philippe arthur dubuffet, 1959
  9. Vestiges from the portfolio Scrap Plates II (Planches de rebut II) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1960
  10. Landscape with Ghosts (Paysage aux fantasmes) — jean philippe arthur dubuffet, 1953
  11. The Corroded Rock (Le rocher rongé) from the portfolio Waters, Stones, Sand (Eaux, Pierres, Sable) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1959
  12. Eploiement IV from the portfolio Scrap Plates II (Planches de rebut II) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1962
  13. Six Fish and Bird — jean philippe arthur dubuffet, 1943
  14. The Cow with the Subtile Nose — jean philippe arthur dubuffet
  15. Area (L'Etendue) from the portfolio Scrap Plates II (Planches de rebut II) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1960
  16. Figure in Red (Personnage au costume rouge) — jean philippe arthur dubuffet, 1961

outros

  1. Twins — Ossip Zadkine, 1967
  2. Woman III (Corps de dame III) — jean philippe arthur dubuffet, 1950
  3. Stairs III — jean philippe arthur dubuffet
  4. Ornamented Earth (Terre chamarrée) from the portfolio Theater of the Earth (Théâtre du sol) from Phenomena (Les Phénomènes) — jean philippe arthur dubuffet, 1959
  5. Two Nudes in a Landscape — André Derain
  6. Nontransparent Monument (Stele 3) — Cai Guo-Qiang, 2006