perioadă

mișcare

1. Sloth — Raphael Kirchner
2. Deadly Sins — Raphael Kirchner
3. Girls with purple surrounds — Raphael Kirchner, 1900
4. Study for Poetry — Alphonse Mucha
5. Moet and Chandon Cremant Imperial — Alphonse Mucha, 1899
6. Design for a lady's dress — Léon Bakst, 1912
7. Study for Dance — Alphonse Mucha
8. Merci II — Raphael Kirchner, 1916
9. A half of a Virgin — Raphael Kirchner, 1901
10. narcisse the nymph echo — Léon Bakst, 1911
11. La legende de Joseph Potiphar's wife — Léon Bakst, 1914
12. (18) — Alphonse Mucha

vibrație

subiecte

1. Sloth — Raphael Kirchner
2. Merci II — Raphael Kirchner, 1916
3. Study for Poetry — Alphonse Mucha
4. A half of a Virgin — Raphael Kirchner, 1901
5. Design for a lady's dress — Léon Bakst, 1912
6. Three women at a fountain (study) — Pablo Picasso, 1921
7. Women Leaning on a Railing — hilaire-germain-edgar degas
8. Three women at a fountain (study) — Pablo Picasso, 1921
9. Cele Trei femei la curse — hilaire-germain-edgar degas, 1885

cuvinte cheie

tonalitate

culoare principale

1. Design for a lady's dress — Léon Bakst, 1912
2. Old Women at Arles (also known as Women from Arles in the Public Gardens, The Mistral) — Paul Gauguin, 1888
3. La legende de Joseph Potiphar's wife — Léon Bakst, 1914
4. Deadly Sins — Raphael Kirchner
5. Three women at a fountain (study) — Pablo Picasso, 1921
6. Four Breton Women (also known as Breton Women Chatting) — Paul Gauguin, 1886
7. A half of a Virgin — Raphael Kirchner, 1901
8. Merci II — Raphael Kirchner, 1916
9. Sloth — Raphael Kirchner
10. Anger — Raphael Kirchner
11. Study for Dance — Alphonse Mucha
12. Moet and Chandon Cremant Imperial — Alphonse Mucha, 1899
13. Two nude women — Pablo Picasso, 1920
14. Study Of Russian Village Women — philip william may
15. (18) — Alphonse Mucha
16. Girls with purple surrounds — Raphael Kirchner, 1900
17. Study for Poetry — Alphonse Mucha

altul

1. Young Women Resting in a Field — hilaire-germain-edgar degas, 1882
2. Singer green — hilaire-germain-edgar degas
3. Lucent View (Original Pastel for Print) — arthur werger, 1986