období

pohyb

1. Landscape of the Swiss Alps — Ferdinand Hodler, 1918
2. Figure study — Ferdinand Hodler, 1902
3. Lumberjack, study — Ferdinand Hodler, 1910
4. Berthe Hodler-Jacques — Ferdinand Hodler
5. Spring — Ferdinand Hodler

nálada

1. Three nude studies — Paula Modersohn-Beckerová
2. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
3. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
4. Spring — Ferdinand Hodler

témata

klíčová slova

1. Figure study — Ferdinand Hodler, 1902

tón

1. Three nude studies — Paula Modersohn-Beckerová
2. Valentine Gode Darel, with disheveled hair — Ferdinand Hodler, 1913
3. Lumberjack, study — Ferdinand Hodler, 1910
4. Spring — Ferdinand Hodler

hlavní barva

1. Figure study — Ferdinand Hodler, 1903
2. Page from a sketchbook 42 — George Romney
3. Lake Silvaplana in Autumn — Ferdinand Hodler, 1907
4. Schynige plate — Ferdinand Hodler, 1909
5. Family idyll (Cain and Abel) — Mica Todorović, 1933
6. Studium ženy — Ferdinand Hodler, 1901
7. Spring — Ferdinand Hodler
8. Portrét Berthe Hodler — Ferdinand Hodler, 1902
9. Lake Geneva on the evening in Chexbres — Ferdinand Hodler, 1895
10. Figure study — Ferdinand Hodler, 1902
11. The Dents du Midi from Chesieres — Ferdinand Hodler, 1912
12. Plovoucí žena s nataženou paží (Náčrt pro první verzi — Gustav Klimt, 1901
13. Three nude studies — Paula Modersohn-Beckerová
14. Youth with Arms Upraised — hilaire-germain-edgar degas
15. Lumberjack, study — Ferdinand Hodler, 1910
16. Maples and Birches — Tomáš Cole
17. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
18. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
19. Výzkum osoby — Ferdinand Hodler, 1887

ostatní

1. Nude — Namık İsmail
2. Výzkum osoby — Ferdinand Hodler, 1909