x
Contemporary Realism
1920
11.0 x 3.0 cm
Museo Art Nouveau y Art Déco - Casa LisMuseolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla. (
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Toimitus maailmanlaajuisesti () kahdessa viikossa tavallisen 4–5 viikon sijaan. (18 elokuu)
Grasshopper
Replikaatin koko
Franz Xaver Bergmann (July 27, 1861 – January 1, 1936) was a prominent Viennese foundry owner who became renowned for the production of exquisitely detailed and colorful patinated bronze sculptures. Though often mistakenly referred to as a sculptor himself, Bergmann’s true talent lay in his entrepreneurial skill and mastery of the casting process.
Born in Vienna, Austria, Bergmann inherited a family tradition in metalwork. His father, Franz Bergmann, was a skilled chaser who had established a small bronze factory in 1860 after relocating from Gablonz. This foundation provided young Franz Xaver with an early exposure to the intricacies of bronze production and laid the groundwork for his future success.
Franz Xaver Bergmann took over the family business and, in 1900, opened a new and expanded foundry. This marked a significant turning point, allowing him to increase production and diversify the range of bronze objects created. Many early designs continued to draw upon his father’s established workshop repertoire, ensuring a consistent level of quality and artistic merit.
Bergmann's foundry became celebrated for its diverse output, encompassing:
His work is characterized by meticulous detail, vibrant cold-painting techniques, and a playful approach to form. The bronzes often exhibit a remarkable sense of movement and personality.
It’s crucial to understand that Bergmann was not the sculptor in most cases; he was a foundry owner who employed numerous anonymous sculptors on a temporary basis. He expertly managed the casting, patination, and finishing processes, bringing their designs to life with exceptional quality. Bruno Zach, another notable artist, occasionally collaborated with Bergmann, utilizing his foundry for certain works – some of which were signed under the pseudonym ‘Prof. Tuch’.
Bergmann's bronzes are typically marked with either a letter 'B' within an urn-shaped cartouche or 'nam greb' – 'bergman' spelled in reverse. The latter signature was specifically used on erotic pieces to conceal his direct involvement.
Bergmann’s foundry played a significant role in the flourishing of decorative arts during the Art Nouveau period. His bronzes were highly sought after by collectors and remain popular today, representing a unique blend of artistic skill, technical expertise, and entrepreneurial vision. He successfully catered to a growing demand for luxurious and exotic objects, leaving behind a lasting legacy in the world of bronze sculpture.
1861 - 1936 , Austria
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