Christina McPhee: Layers of Landscape and Memory

Christina McPhee’s artistic practice is rooted in a profound engagement with place—specifically, the ancestral lands of the Chumash and Salinan peoples in Southern California. Her work transcends mere representation; instead, she constructs layered visual narratives that explore site specificity and delve into the complexities of memory, resulting in striking drawings, paintings, and video installations. Born in Los Angeles in 1954, McPhee’s artistic journey began with a Bachelor of Fine Arts degree from Scripps College in Claremont, California, followed by an MFA from Boston University College of Fine Arts where she studied under the influential Philip Guston—a connection that undeniably shaped her aesthetic sensibilities. McPhee's approach to artmaking distinguishes itself through meticulous observation and experimentation. She painstakingly analyzes geological formations, atmospheric conditions, and subtle shifts in light – elements that become integral components of her artworks. Drawing inspiration from Guston’s expansive canvases and his exploration of tonal abstraction, McPhee employs a technique characterized by dense layering and textural manipulation. Her drawings often utilize graphite and charcoal to capture the contours of landscapes with remarkable precision, while her paintings incorporate encaustic wax alongside pigment—a medium known for its ability to fuse color and texture into durable surfaces. This deliberate process reflects a desire to convey not just what is seen but also how it feels – capturing the essence of a particular environment. Her participation in Documenta 12 (2007) and the Bucharest Biennale (2008) cemented her position as a significant voice within contemporary art discourse. These exhibitions showcased her commitment to confronting pressing environmental concerns through artistic inquiry, demonstrating her willingness to engage with critical dialogues about representation and perception. McPhee’s work has garnered recognition from institutions like the American University Museum located in Washington, D.C., and the bildmuseet in Umea, Sweden, furthering her visibility within the international art community. Among her notable achievements are solo museum exhibitions at these venues, highlighting her ability to articulate complex ideas through visual mediums. Furthermore, her video installations have been presented at festivals such as Videoformes in Clermont-Ferrand, France and Open Space, demonstrating her versatility as an artist across various artistic disciplines. Christina McPhee continues to pursue her artistic vision, driven by a dedication to exploring the intersection of landscape, memory, and artistic expression—a legacy that underscores her enduring contribution to the realm of contemporary art.

• Notable Exhibitions:
• American University Museum: Canyon Variations #4
• bildmuseet: Cloudfoot Kilauea
• Documenta 12: Kassel, Germany
• Bucharest Biennale: Bucharest, Romania

Christina McPhee’s artistic trajectory began with a formative education at Scripps College, where she earned her Bachelor of Fine Arts degree. This initial exposure to art instilled in her a foundational understanding of visual language and established a lifelong passion for creative exploration. Subsequently, she pursued graduate studies at Boston University College of Fine Arts under the guidance of Philip Guston—a pivotal relationship that profoundly influenced her artistic style and conceptual framework. Guston’s expansive canvases and his pioneering use of tonal abstraction served as an enduring inspiration, shaping McPhee's commitment to layering textures and manipulating color palettes to evoke profound emotional responses. Her artistic explorations delve into the complexities of landscape representation, prioritizing meticulous observation and textural experimentation. Analyzing geological formations, atmospheric conditions, and subtle shifts in light—elements that permeate her artworks—McPhee strives to capture not merely visual appearances but also the intangible sensations associated with specific environments. This approach aligns seamlessly with Guston’s aesthetic sensibilities, mirroring his dedication to conveying atmosphere and emotion through monumental canvases imbued with tonal depth. McPhee's technique distinguishes itself through the skillful integration of encaustic wax alongside pigment—a medium renowned for its ability to fuse color and texture into durable surfaces. Drawing parallels with Guston’s expansive compositions, McPhee employs a layering process that builds upon textural variations and tonal gradations, resulting in artworks that resonate with palpable physicality. Her drawings utilize graphite and charcoal to meticulously delineate landscape contours, while her paintings achieve similar effects through encaustic wax—a testament to her mastery of material properties and artistic vision. Her participation in Documenta 12 (2007) and the Bucharest Biennale (2008) solidified McPhee’s position as a prominent voice within contemporary art discourse. These exhibitions underscored her commitment to confronting environmental challenges through artistic inquiry, demonstrating her willingness to engage with critical dialogues concerning representation and perception—values that echo Guston's own engagement with social commentary and artistic experimentation. Christina McPhee continues to refine her artistic practice, driven by an unwavering dedication to exploring the interplay between landscape, memory, and expressive artistry—a legacy that affirms her enduring significance within the broader context of modern art history.