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PaintingConceptual Art
1973Contemporary
17.0 x 22.0 cm
Colección de Arte Amalia Lacroze de FortabatImpressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. (
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Combustion V
Format de la reproduction
In the delicate intersection where cartography meets conceptual tragedy, Horacio Zabala’s Combustion V emerges as a haunting meditation on our global condition. Created in 1973, this evocative work presents a world map that serves not merely as a geographical guide, but as a stage for profound ecological and political drama. At the very heart of our known world, where one might expect to find a symbol of life or unity, Zabala has placed a rose—yet this is no traditional emblem of beauty. The flower is charred, singed by an unseen flame, its petals darkened by the very process of combustion that gives the piece its title. This striking juxtaposition between the fragile organic form and the cold, structural reality of global borders invites the viewer into a deep, contemplative dialogue about the vulnerability of our planet.
< certainly, the technical execution of this piece on paper allows for an intimate encounter with Zabala’s meticulous hand. The artist utilizes the fine details of the world map—the recognizable outlines of the United States, Russia, and China—to ground the viewer in a reality we all share, only to disrupt that familiarity with the visceral texture of the burnt rose. The way the singed edges of the flower interact with the delicate lines of the continents creates a visual tension that is both unsettling and mesmerizing. For the collector or interior designer, this work offers a sophisticated focal point; its muted tones and intricate details demand close inspection, rewarding the eye with layers of meaning that reveal themselves slowly over time.To understand Combustion V, one must look toward the unique artistic lineage of Horacio Zabala. With a background in architecture from the Universidad de Buenos Aires, Zabala brings a structural discipline to his conceptual explorations. His ability to manipulate geometric precision alongside organic decay is what makes this piece so enduringly powerful. The rose, a universal symbol of love and ephemeral beauty, becomes a metaphor for the fragility of life and the potential for destruction within our interconnected global systems. The "combustion" suggested here is not merely physical, but perhaps symbolic of the political and environmental tensions that have defined the late 20th century and continue to resonate in our contemporary era.
For those seeking to integrate a piece of such profound intellectual depth into a curated space, Combustion V provides an unparalleled emotional resonance. It is a work that does not merely decorate a wall; it provokes thought, serving as a silent witness to the complexities of human existence and our impact on the Earth. Whether placed in a minimalist modern gallery or a classic study, this reproduction captures the essence of Zabala’s mastery—a seamless blend of architectural clarity and the raw, unbridled emotion of a world caught in the heat of change.
1943 - , Argentine
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