का प्रिंट खरीदें Flora torso

कलाकृति का विवरण

“Under the appearences of Flora is naturally portrayed in this marble a woman distinguished by the greatness of her birth […]. The drapery is noble, rich and well conducted. The head is sculpted with delicacy, and with so much study is the hair”. This words belong to Pietro Vitali, a well-known antique dealer of the 19th century; he admired the artifact in the Torlonia Museum – housed in the homonymouys palace – located in Piazza Venezia in Rome.Our statue, in fact, had a very fascinating as well as tormented story. Probably a work of Bartolomeo Cavaceppi’s studio, a Roman sculptor and restorer from the 18th century, after his death the statue will be taken into custody from Vincenzo Pacetti, becoming the first nucleus of the already mentioned Torlonia Museum. Later, the precious object will lose tracks and the last person to attest its presence in Rome will be Pietro Vitali, at least until its recent “discovery” in the entrance hall of the Accorsi-Ometto Museum. The statue, a Renaissance fake, presents a wrong combination between the head (2nd century AD) and the bust (3rd century AD) cut at the height of the belt (the visible fracture on the neck proves the original distinction between the parts). In Ancient Rome, only the woman of the imperial family were trandsetteres: in fact, we find the same clothing and the same hairstyle – long braids wrapped in a turban on the nape and high scaffolding of false curls on the forehead – in many portraits of court ladies from the time of Trajan (98-117 AD) and that of his successor Adrian (117-138 AD). The bouquet of flowers at the height of the breast and the right hand with a little bouquet are certainly a later addition, responding to a late-Rococò taste.

संबद्ध कलाकृतियाँ

कलाकार का जीवन परिचय

Bartolomeo Cavaceppi: A Roman Sculptor Shaped by Antiquity and Winckelmann

Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) stands as a pivotal figure in the artistic landscape of Rome during the Enlightenment, embodying the spirit of neoclassical sculpture while simultaneously grappling with the challenges posed by the burgeoning fascination for classical antiquity. Trained initially under Pierre-Étienne Monnot and subsequently honing his craft within Carlo Antonio Napolioni’s workshop—a collaborative environment dedicated to restoring monumental sculptures commissioned by Cardinal Alessandro Albani—Cavaceppi's career was inextricably linked to the patronage of influential figures and the pursuit of meticulous scholarship. He wasn’t merely replicating the glories of Rome’s past; he actively participated in shaping its artistic future, leaving an indelible mark on both Roman sculpture and the broader dissemination of classical ideals.

Early Training & Patronage: Cavaceppi's formative years were spent absorbing the techniques and sensibilities of established sculptors like Monnot and Napolioni, who instilled in him a profound respect for craftsmanship and a dedication to faithfully representing sculptural forms. Crucially, Albani’s unwavering support provided Cavaceppi with invaluable opportunities to engage in ambitious projects—most notably, restoring colossal statues of Roman emperors—and fueled his ambition to elevate Roman sculpture to new heights.
Collaboration & Influence: His partnership with Johann Joachim Winckelmann represents perhaps the most significant element of Cavaceppi’s artistic trajectory. Winckelmann's groundbreaking treatise, *Geschichte der Kunst der Griechen und Römer*, profoundly impacted European aesthetics, advocating for a stylistic ideal rooted in purity and timeless beauty—principles that resonated deeply within Cavaceppi’s creative vision.
Restoration & Replication: Cavaceppi distinguished himself as one of Rome's foremost restorers, undertaking monumental commissions for Albani and meticulously reconstructing damaged sculptures from antiquity. However, his reputation extended beyond mere conservation; he was equally adept at creating convincing copies of Roman masterpieces—a practice that fueled debate about authenticity and contributed to the broader scholarly discourse surrounding classical art.
Notable Achievements: Cavaceppi’s legacy rests primarily on his publication *Raccolta d'antiche statue, busti, teste cognite ed altre sculture antiche restaurate da cav.* (1768-1772), a monumental undertaking that showcased his expertise in sculptural reconstruction and cemented his position as a leading voice within the Roman artistic community. This ambitious project not only documented Albani’s collection but also established Cavaceppi as a champion of classical scholarship.
Historical Significance: Cavaceppi's work embodies the anxieties and aspirations of the Enlightenment era—a period marked by both an eagerness to revive classical ideals and a critical examination of artistic conventions. He stands as a testament to the enduring power of tradition combined with intellectual innovation, shaping the aesthetic sensibilities of his time and securing his place among Rome’s most celebrated sculptors.

Further Exploration: For deeper insights into Cavaceppi's oeuvre and its context, consider visiting Bartolomeo Cavaceppi’s Flora Torso, examining his contribution to the Torlonia Collection, or delving into Bartolomeo Pinelli: Neoclassical Linearity & Roman Topography of Memory.

Bartolomeo Cavaceppi

1715 - 1799 , Italy

मुख्य तथ्य

Artistic Movement Or Style: Neoclassical
Artists Or Movements Influenced By This Artist: ['Roman Sculpture']
Artists Who Influenced This Artist:
- Pierre-Étienne Monnot
- Carlo Antonio Napolioni
- Johann Joachim Winckelmann
Date Of Birth: Rome, Italy (c. 1716)
Date Of Death: December 9, 1799
Full Name: Bartolomeo Cavaceppi
Nationality: Italian
Notable Artworks: ['Flora torso']
Place Of Birth: Rome

Flora torso

संग्रहणीय वस्तु का विवरण

कलाकार का जीवन परिचय

हाथ से बनी ऑयल रिप्रोडक्शन

रेप्रोडक्शन फ्रेमिंग विकल्प

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

Framed

पुनरुत्पादन का आकार

कलाकृति का अनुकूलन

कलाकार का कौशल स्तर

नामप्लेट

उत्कीर्ण कांस्य पट्टिका का विवरण

पारदर्शी ऐक्रेलिक पट्टिका का विवरण

काले ऐक्रेलिक पट्टिका का विवरण

सुरक्षात्मक वार्निश

त्वरित उत्पादन सेवा

शामिल सुविधाएँ

दुनिया भर में मुफ़्त एक्सप्रेस शिपिंग

उच्च गुणवत्ता वाला लिनेन कैनवास

पूर्ण शिपिंग बीमा

सीमा शुल्क और आयात कर वापसी की गारंटी

सटीक रंग मिलान की गारंटी

60-दिन की वापसी नीति (केवल दोषों के लिए)

100% पैसे वापसी की गारंटी

थोक छूट का लाभ

कुल कीमत

$ 272

सारांश

प्रतिकृति की विधि

-

प्रतिष्ठित वरिष्ठ कलाकार

-

रेप्रोडक्शन फ्रेमिंग विकल्प

-

नामपट्टिका

-

सुरक्षात्मक वार्निश

-

मेरी कलाकृति को कस्टमाइज़ करें

-

अति आवश्यक

-

तेज़ शिपिंग

शामिल है

कुल देय राशि