x
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Moré Moré (Leaky): Variations
복제본 크기
Born in Kanagawa, Japan, in 1980, Yuko Mohri is an artist whose work transcends traditional categorization, existing at the compelling intersection of sculpture, installation, and performance. Her practice isn’t about static form but rather a dynamic engagement with the unpredictable forces that shape our world—gravity, sound, light, even decay. Mohri doesn't *create* objects so much as she orchestrates environments where subtle events unfold, revealing hidden harmonies within everyday occurrences. Living and working in Tokyo, she has cultivated a unique artistic language rooted in observation, improvisation, and a profound respect for the inherent beauty of impermanence.
Mohri’s academic foundation at Tama Art University (BFA, 2004) and later at Tokyo University of the Arts (MFA, 2006) provided a crucial springboard for her explorations. However, it was experiences beyond the formal curriculum that truly ignited her artistic vision. A fascination with the work of Marcel Duchamp—particularly his embrace of chance operations and readymades—laid early groundwork. She also found inspiration in musical composers who prioritized indeterminacy, such as Eric Satie and John Cage, artists who challenged conventional notions of control and authorship. This interest in “composers of inadvertence” became a guiding principle for Mohri’s own practice.
A pivotal moment came with her residency at the Victoria and Albert Museum in London in 2016, followed by another at Camden Arts Centre that same year. These experiences exposed her to new audiences and broadened her perspective on artistic possibilities. Crucially, Mohri began to notice a recurring theme in urban landscapes: acts of spontaneous repair—the makeshift solutions employed to address everyday malfunctions, like plastic bottles wedged into leaky pipes or buckets strategically placed to catch dripping water. This observation sparked a series of works that celebrated the ingenuity and adaptability inherent in these seemingly insignificant interventions.
Mohri’s installations are often described as kinetic sculptures, but this label feels somewhat limiting. They are more accurately understood as self-contained ecosystems—complex systems built from reconfigured everyday objects and machine parts. These assemblages aren't merely visually striking; they *perform*. Pumps circulate water through intricate networks of pipes and containers, creating a mesmerizing interplay of sound and movement. Electrodes attached to rotting fruit generate flickering lights and ethereal drones, transforming the process of decomposition into an auditory and visual experience.
A central theme in Mohri’s work is the relationship between control and chance. While she meticulously designs the infrastructure of her installations, she relinquishes a degree of authority over their ultimate outcome. The behavior of water, the rate of decay, even the passing presence of viewers—all contribute to the unpredictable evolution of each piece. This embrace of indeterminacy reflects a broader philosophical interest in the transient nature of existence and the beauty found within imperfection.
Mohri’s artistic trajectory has been marked by consistent recognition and increasing international acclaim. She received the Nissan Art Award Grand Prix in 2015, followed by an Asian Cultural Council grant that supported a residency in New York. Her solo exhibitions have included “Entanglements” at Pirelli HangarBicocca in Milan, “Compose” for the Japan Pavilion at the Venice Biennale in 2024, and numerous shows across Asia and Europe.
The selection of Mohri to represent Japan at the 60th Venice Biennale was a watershed moment. Her exhibition, titled "Compose," featured two new site-specific installations that explored the element of water—a symbol deeply resonant with both Japanese culture and the precarious environmental challenges facing the world today. The work invited viewers to contemplate the delicate balance between art and life, prompting questions about value, sustainability, and our relationship with the natural world.
Yuko Mohri’s contribution to contemporary art lies in her ability to transform the mundane into the magical. She challenges us to reconsider our perception of everyday objects and environments, revealing hidden beauty within processes often overlooked or dismissed. Her work resonates with a growing interest in ecological awareness and sustainable practices, offering a poignant commentary on the fragility of our planet.
As Mohri continues to develop her artistic practice, she remains committed to exploring the interplay between chance, control, and environmental forces. Her installations are not simply objects to be observed but rather invitations to participate in a dynamic dialogue—a symphony of events unfolding in real time, reminding us that even within decay, there is beauty, harmony, and profound meaning.
1980 - , Japan
프로젝트에 대해 알려주시면 저희 미술 전문가들이 맞춤형 아트 제안 3가지를 전달해 드립니다.
당신만을 위한 맞춤형 옵션 3가지를 무료로 추천해 드립니다!