x
2021
215.0 x 50.0 cm
퀸즐랜드 아트 갤러리 | 현대 미술관 (QAGOMA)빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
손으로 그린 그림 구매 이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
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Born in Houston, Texas, in 1979, Phi Phi Oanh embodies a fascinating intersection of cultures—a Vietnamese heritage deeply interwoven with an American upbringing. This duality isn’t merely biographical; it is the very foundation upon which her compelling artistic practice rests. Oanh's journey began with formal training at Parsons School of Design, culminating in a BFA in 2002, followed by a Masters in Art and Investigation from the Universidad Complutense de Madrid in 2012. However, it was a Fulbright Grant in 2004 that proved pivotal, sending her to Hanoi to immerse herself in the ancient art of lacquer painting—a medium that would not only define her aesthetic but also become a conduit for exploring personal and collective histories.
Vietnamese lacquer, known as són mài, possesses a rich and complex past. Originally used to adorn temples and palaces, it underwent a significant transformation during the 20th century, becoming a powerful tool for artistic expression and national identity. Oanh’s work isn't simply about *using* lacquer; it’s about actively participating in its ongoing evolution. She sees herself as continuing a process of “acculturation,” blending traditional techniques with contemporary materials and formats to push the boundaries of what lacquer can be—both sculpturally and conceptually. This is not preservation, but rather a dynamic reimagining.
Oanh’s art frequently evokes a sense of quiet contemplation, creating “pictorial installations of evocative meditative spaces.” These aren't literal representations of places, but rather carefully constructed environments that resonate with memory and emotion. She masterfully reconfigures culturally specific signs and symbols—often drawn from Vietnamese history and ritual—to create works that are both familiar and unsettlingly new. This deliberate juxtaposition invites viewers to question their own cultural assumptions and explore the complexities of identity. Her pieces often feel like fragments of a dream, imbued with a haunting beauty and a sense of longing.
Oanh’s dedication to her craft has garnered significant international recognition. She has exhibited extensively across Asia, Europe, and the Americas, including notable shows at the National Gallery Singapore, Kadist in San Francisco, and participation in the prestigious 10th Asia Pacific Triennial of Contemporary Art (APT10) in Brisbane. Her monumental installation *Specula*, featured in the 2013 Singapore Biennale, demonstrated her ability to create immersive environments that challenge conventional notions of space and perception. More recently, her inclusion in APT10 solidified her position as a leading voice in contemporary Vietnamese art.
Phi Phi Oanh’s work is significant not only for its aesthetic qualities but also for its contribution to the broader discourse surrounding craft, cultural identity, and artistic innovation. She challenges the traditional boundaries between painting, sculpture, and installation, creating a unique visual language that speaks to the complexities of the modern world. Her commitment to preserving and reimagining són mài ensures that this ancient art form will continue to thrive for generations to come. Currently based in Hanoi, Oanh continues to explore new avenues within her practice, pushing the limits of lacquer while remaining deeply rooted in the rich cultural heritage that informs her vision.
1979 - , United States of America
최신 미술 뉴스, 특별 혜택 및 인테리어 아이디어를 가장 먼저 만나보세요.
프로젝트에 대해 알려주시면 저희 미술 전문가들이 맞춤형 아트 제안 3가지를 전달해 드립니다.
당신만을 위한 맞춤형 옵션 3가지를 무료로 추천해 드립니다!
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유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
