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33.0 x 25.0 cm빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
손으로 그린 그림 구매 이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Seated Figure
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Stefano Cusumano, born in Tampa, Florida, in 1912, embarked on a journey that would see him become a compelling voice within the American art landscape of the mid-20th century. His family’s relocation to New York City during his adolescence proved pivotal, providing access to formal training at both Cooper Union and the Metropolitan Art School for four formative years. These institutions laid a crucial groundwork in technique and observation, yet Cusumano would soon forge a path distinctly his own—one characterized by a rejection of prevailing abstract trends in favor of representational forms.
The post-war American art world was largely dominated by the fervent energy of Abstract Expressionism. However, Cusumano’s artistic sensibilities diverged sharply from this movement's emphasis on non-objective abstraction. He felt a deep connection to figuration and narrative, believing in the power of recognizable imagery to convey meaning and emotion. This deliberate choice positioned him as something of an outlier, a quiet rebel against the prevailing aesthetic currents. His work wasn’t about expressing inner turmoil through spontaneous gesture; it was about carefully constructed compositions that engaged with the visible world—a world he rendered with sensitivity and skill.
Cusumano's artistic development unfolded through a series of gallery affiliations, beginning in 1942 with the Montross Gallery, followed by periods with George Binet (1946-1950) and Passedoit (1953-1959), all prominent New York City venues. These exhibitions provided crucial platforms for his work to gain visibility. His style is marked by a refined draftsmanship and a subtle use of color, often employing muted palettes that lend an air of introspection to his scenes. While not overtly dramatic, his paintings possess a quiet intensity, inviting viewers to linger and contemplate the nuances of everyday life.
Throughout his career, Cusumano balanced his artistic practice with teaching positions at New York University (1951-1974) and Cooper Union (1955-1974), nurturing a new generation of artists. His dedication to both creating and educating solidified his place within the art community. Recognition came in the form of awards such as the Foundation Purchase Prize in 1962, and the Childe Hassam Award from the American Institute of Arts and Letters in both 1968 and 1971. More importantly, his work found its way into the permanent collections of esteemed institutions including The National Gallery in Washington D.C., The Metropolitan Museum of Art, and the Whitney Museum of American Art—testaments to the enduring quality and significance of his vision.
In a surprising turn, Stefano Cusumano’s life took an unexpected path beyond the realm of art. Born also as Nuccio Cusumano (October 16, 1948), he entered Italian politics, serving as a Senator from 2006 to 2008. His political career was marked by complexity and controversy, including involvement in key votes of confidence and allegations of corruption that were later exonerated. This chapter, while distinct from his artistic endeavors, reveals a man deeply engaged with the world around him—a willingness to participate in public life despite its challenges. The story of Nuccio Cusumano serves as a reminder that individuals often harbor multiple identities and passions, and that a creative spirit can find expression in diverse arenas.
1948 - 2008 , Italy
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