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periodas

judėjimas

nuotaika

temos

  1. Studies of ships (verso) — Francesco Lazaras Guardis
  2. Study, landscape and castle — Tomas Kole

raktažodžiai

tonas

pagrindinė spalva

  1. Studies of ships (verso) — Francesco Lazaras Guardis
  2. Drapery Study. Study for Semiramis Building Babylon — Hilaire Germain Edgar Dega
  3. Page from a sketchbook 82 — Džordžas Romisas
  4. Study nuts — Fernanas Ležė, 1931
  5. Elementi di una macchina, c. 1489-90 (penna e inchiostro bruno su carta) — Leonardo Da Vinci Ir Andrea Del Verrocchio
  6. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barokis, 1583
  7. The lisbon earthquake of (1755) — gabriel jacques de saint aubin
  8. Window at Croxall Church — Džeimas Vordas
  9. Two male figure studies and St Peter — Pizanelio
  10. Sketch 66 — Džordžas Romisas
  11. Atlantic Codex (Codex Atlanticus), f. 1069 recto. — Leonardas Da Vinčis, 1482
  12. Arreton Church. Interior Column — Jasperis Francisas Cropsey
  13. Study sheet with Madonna and child, hand and sleeve — Albrechtas Diureris
  14. Abstracted cityscape from sketchbook 130 — Theo Van Dėsburgas
  15. Study of hands (various studies) — Leonardas Da Vinčis
  16. Thaw. Beginning of March — Aleksejus Savrasovas, 1880
  17. Study, landscape and castle — Tomas Kole
  18. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Barokis, 1583
  19. Public Building; [detail drawing, exterior elevation, floor plan] — charles douglas richardson, 1880
  20. Study of Feet and Hands — Teodoras Žeriko, 1818
  21. Study for The Conflict between Victory and Death — Džonas Singeris Sardžentas, 1922
  22. The Death Of Marat (Study) — Žakas Lui Davidas
  23. Study of a Head Looking Upward (recto) — Mikelandželas, 1504

kitas

  1. Study for the Death of Lady Macbeth — Dante Gabriel Rossetti, 1875