x
1940
25.0 x 30.0 cmMet de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (
Bestel print Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (20 augustus). Zonder concessies aan de kwaliteit.
Boy with Cows
Afmetingen reproductie
John Edward Costigan (1888-1972) was an American artist celebrated for his evocative paintings and prints that captured the essence of rural life, the dignity of labor, and a sense of humble contentment. Though not a household name today, Costigan’s work offers a poignant glimpse into early 20th-century America, reflecting both its hardships and its enduring spirit.
Born in Providence, Rhode Island, in 1888, Costigan faced early adversity. Orphaned with his four sisters, he was raised by his parents of showman George M. Cohan who recognized and nurtured his artistic talent. Largely self-taught, Costigan developed a strong individual style characterized by bold brushwork and a keen eye for detail.
Costigan’s artistic journey was marked by a commitment to realism. He wasn't interested in grand narratives or idealized portrayals; instead, he focused on the everyday lives of ordinary people. His paintings often depict farmers, laborers, and families engaged in their daily routines, deeply connected to the land they worked.
While largely self-taught, Costigan was undoubtedly influenced by the prevailing artistic currents of his time. The Ashcan School’s focus on realism and social commentary likely resonated with him, as did the Regionalist movement's celebration of American rural life. However, Costigan developed a unique voice that distinguished him from these movements.
The economic hardships of the Depression significantly impacted Costigan’s career. The firm he worked for closed, prompting him to purchase a farm in Orangeburg, New York, in the 1920s. This move proved pivotal, providing him with both subject matter and inspiration. His wife, sculptor Ida Blessin, and their five children became frequent subjects of his art.
Costigan’s talent did not go unnoticed. In 1928, he was elected a member of the prestigious National Academy of Design, solidifying his position within the American art establishment. His work was exhibited in various galleries and exhibitions throughout his career.
Though perhaps not as widely recognized today as some of his contemporaries, John Edward Costigan’s contribution to American art lies in his authentic portrayal of a vanishing way of life. His paintings offer a valuable historical record of rural America during the early 20th century, capturing the resilience and dignity of those who worked the land. He provides a window into a time when community and connection to nature were central to the American experience.
Costigan’s work continues to resonate with viewers today, reminding us of the importance of honoring the labor that sustains us and appreciating the beauty found in everyday life.
1880 - 1972 , United States of America
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