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Stepping into the presence of Katrina Andry’s Diverge Divest Deny (repeat) is akin to entering a curated dreamscape where the boundaries between the organic world and human artifice begin to dissolve. This captivating indoor installation, created in 2018, presents a series of towering rectangular panels that command the gallery space with an imposing yet graceful verticality. Each panel serves as a window into a dense, stylized jungle, draped in lush layers of verdant greens, earthy browns, and sun-dappled yellows. The arrangement creates a rhythmic sense of enclosure, inviting the viewer to wander through a labyrinth of foliage that feels simultaneously familiar and otherworldly. Through a masterful blend of realism and abstraction, Andry transforms the static nature of the panels into a living, breathing environment that pulses with hidden life.
The technical execution of this installation is nothing short of breathtaking, utilizing light and shadow to breathe three-dimensional life into flat surfaces. Suspended from the upper reaches of these verdant monoliths are countless small, white paper birds and delicate feathers, which drift through the air like frozen moments of flight. These ethereal elements provide a brilliant, dynamic counterpoint to the heavy, textured density of the printed foliage below. The lighting design plays a crucial role in this sensory experience; dramatic spotlights cast deep, evocative shadows that accentuate the intricate textures of the material, suggesting a depth that extends far beyond the physical limits of the panels. For the discerning collector or interior designer, this piece offers a profound sense of movement and architectural scale, making it a transformative centerpiece for any sophisticated space.
Beyond its striking visual impact, Diverge Divest Deny (repeat) carries a weight of symbolic complexity that rewards deep contemplation. The juxtaposition of the dense, grounded jungle imagery with the light, ascending forms of the white birds evokes a powerful tension between entrapment and liberation. While the foliage represents the overwhelming abundance—and perhaps the suffocating density—of the natural and social world, the birds serve as potent symbols of freedom, transcendence, and the ephemeral nature of existence. This duality creates an emotional atmosphere that is at once serene and deeply mysterious, pulling the viewer into a meditative state while subtly prompting reflections on the cycles of growth, decay, and escape.
As an artist, Katrina Andry is renowned for her ability to weave social commentary into her technical mastery. While her woodcut prints often confront the complexities of race and stereotype, this installation allows those themes to breathe through a more abstract, atmospheric lens. The repetition inherent in the work—suggested by its title—mirrors the cyclical nature of history and the persistent rhythms of the natural world. For those seeking to incorporate art into their surroundings that offers both aesthetic beauty and intellectual depth, this reproduction captures the essence of an installation that is not merely seen, but felt. It is a piece that invites the eye to linger on its textures and the soul to wander through its shadows, making it an incomparable addition to any curated collection.
Katrina Andry (born 1981) is an American visual artist and printmaker hailing from New Orleans, Louisiana. Her artistic journey began with a Bachelor of Fine Arts degree in Graphic Design at Louisiana State University in 2004, followed by a Master of Fine Arts degree in Printmaking at LSU in Baton Rouge in 2010. These formative experiences instilled within her a profound appreciation for visual storytelling and a dedication to confronting complex social issues.
Andry’s professional life has unfolded across New Orleans and Xavier University in Ohio. Her artistic vision centers on addressing the detrimental consequences of stereotypes against people of color, particularly within the context of racial dynamics. She seeks to disrupt conventional perspectives by presenting white subjects depicted in blackface—a deliberate provocation designed to expose the perpetuation of prejudice.
At its core, Andry’s artistic practice investigates the pervasive influence of stereotypes on perceptions of racial identity. She confronts viewers with unsettling imagery—white figures rendered in blackface—to dismantle accepted clichés and challenge ingrained biases. Through this confrontational approach, she aims to illuminate how societal structures perpetuate inequity.
Andry’s artistic achievements have garnered considerable acclaim, culminating in recognition as one of the top 50 printmakers by *Art in Print* in January/February 2012. She has been honored with residencies from institutions including The Joan Mitchell Center of New Orleans, Anchor Graphics in Chicago, and Kala Art Institute in Berkeley, California.
Katrina Andry’s artistic legacy resides in her unwavering commitment to confronting uncomfortable truths about race and societal biases. Through her masterful use of color-reduction woodcut prints—characterized by their scale and symbolic potency—she compels viewers to engage in critical dialogue and to reconsider ingrained prejudices. Her work stands as a testament to the transformative power of art as a vehicle for social commentary and personal introspection.
1981 - , United States of America
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