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While We Slept (The Juárez Case)

Mexican artist Lorena Wolffer creates politically charged performance art addressing gender violence & social issues in Mexico. Activist & cultural leader.

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Beschrijving verzamelobject

While we were sleeping (the Juárez case) a voice narrates the findings of 50 bodies from victims of femicide in the desert of Ciudad Juárez, near the border between Mexico and the United States. The epidemic of murders of trans and cisgender, mainly young, women on the border has not stopped since it began to be counted in January 1993, after the discovery of Alma Chavarria Farel, who was barely 13 years old. To date, more than 3,000 women have been reported missing in Ciudad Juárez. Lorena Wolffer marks her skin according to the places where there was evidence of violence.Audio: Rogelio SosaVideo by: Ximena Cuevas

Kunstenaarsbiografie

Lorena Wolffer: A Voice for the Unspoken in Mexican Art

Born in Mexico City in 1971, Lorena Wolffer is more than just an artist; she’s a cultural activist and a vital voice challenging social injustices within Mexico. Her work, deeply rooted in performance art and social practice, confronts issues of gender violence, political corruption, and the often-silenced narratives of marginalized communities. Wolffer's trajectory reflects a commitment to using her artistic platform as a tool for resistance and transformation, forging connections between personal experience, collective memory, and urgent contemporary concerns.

Initially drawn to art through a desire to understand and critique the social realities surrounding her, Wolffer’s early career saw her engaging in collaborative projects that explored themes of identity, community, and cultural heritage. This groundwork laid the foundation for her later, more politically charged work. Her artistic journey wasn't solely focused on individual expression; it quickly evolved into a deliberate engagement with systemic problems, particularly those affecting women in Mexico.

The Language of Blood and Body

A defining element of Wolffer’s practice is the strategic use of her own body as a medium. Early works like *Báñate* (Take a Bath, 1992-1993) – an intensely visceral performance involving the deliberate application of seven buckets of cow's blood – immediately established her willingness to confront uncomfortable truths and challenge conventional notions of beauty and violence. This wasn’t simply shock value; it was a calculated act of disruption designed to dismantle ingrained associations and provoke critical reflection. The use of blood, repeatedly throughout her career, became a potent symbol, representing both vulnerability and resilience, sacrifice and the urgent need for redress.

Her performance *Territorio Mexicano/Mexican Territory* (1995-1997) further cemented this approach. This extended work involved the slow, deliberate dripping of blood onto her stomach over six hours – a harrowing spectacle that directly referenced Mexico’s response to the 1994 political crisis and its tendency towards voyeuristic consumption of suffering. Wolffer's willingness to expose herself in such ways wasn’t about personal gratification; it was a powerful statement on the nation’s complicity in perpetuating cycles of violence and injustice.

Activism and Community Engagement

Beyond her individual performances, Wolffer has consistently engaged in collaborative projects with artists and communities. She co-founded *Ex-Teresa Arte Alternativo* (1994-1996), a platform for experimental art and social action within Mexico City, demonstrating a commitment to fostering dialogue and creating spaces for marginalized voices. Her involvement with organizations like the Culture Council of the UNAM and her role as Coordinator for Social Practice at the Laboratorio Nacional Diversidades highlight her dedication to systemic change and educational initiatives.

More recently, she has spearheaded *Laboratoria de arte + género*, an online pedagogical space dedicated to transfeminist education and experimentation. This initiative underscores her ongoing commitment to empowering individuals and challenging patriarchal structures through artistic exploration and critical thinking. Her participation in *DISIDENTA*: *Prácticas sociales transfeministas* with Cerrucha and María Laura Rosa further demonstrates her dedication to building a network of activists and artists working towards social justice.

Recognition and Legacy

Wolffer’s work has garnered significant recognition, including the Hermila Galindo Medal (2019), the Artraker Award for Social Impact (2014), and Commended Artist of Freedom to Create (2011). These accolades reflect not only the quality of her art but also the profound impact she’s had on the Mexican cultural landscape. Her exhibitions at venues like Mimosa House, Filimages, and within the UNAM showcase a consistent dedication to presenting challenging and thought-provoking work.

Lorena Wolffer's legacy extends beyond individual artworks; it resides in her unwavering commitment to using art as a tool for social change. Her willingness to confront difficult truths, engage with marginalized communities, and challenge established power structures ensures that her voice – and the voices she amplifies – will continue to resonate within Mexican society and beyond.

Lorena Wolffer

Lorena Wolffer

1971 - , Mexico

Belangrijkste feiten

  • Artistic Movement Or Style: Performance art, Activism
  • Artists Or Movements Influenced By This Artist: ['Feminist art']
  • Artists Who Influenced This Artist: ['Judith Butler']
  • Date Of Birth: 1971
  • Full Name: Lorena Wolffer
  • Nationality: Mexican
  • Notable Artworks:
    • Mírame a los ojos
    • Territorio Mexicano/Mexican Territory
  • Place Of Birth: Mexico City, Mexico