x
33.0 x 25.0 cmMet de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (
Bestel print Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (22 augustus). Zonder concessies aan de kwaliteit.
Seated Figure
Afmetingen reproductie
Stefano Cusumano, born in Tampa, Florida, in 1912, embarked on a journey that would see him become a compelling voice within the American art landscape of the mid-20th century. His family’s relocation to New York City during his adolescence proved pivotal, providing access to formal training at both Cooper Union and the Metropolitan Art School for four formative years. These institutions laid a crucial groundwork in technique and observation, yet Cusumano would soon forge a path distinctly his own—one characterized by a rejection of prevailing abstract trends in favor of representational forms.
The post-war American art world was largely dominated by the fervent energy of Abstract Expressionism. However, Cusumano’s artistic sensibilities diverged sharply from this movement's emphasis on non-objective abstraction. He felt a deep connection to figuration and narrative, believing in the power of recognizable imagery to convey meaning and emotion. This deliberate choice positioned him as something of an outlier, a quiet rebel against the prevailing aesthetic currents. His work wasn’t about expressing inner turmoil through spontaneous gesture; it was about carefully constructed compositions that engaged with the visible world—a world he rendered with sensitivity and skill.
Cusumano's artistic development unfolded through a series of gallery affiliations, beginning in 1942 with the Montross Gallery, followed by periods with George Binet (1946-1950) and Passedoit (1953-1959), all prominent New York City venues. These exhibitions provided crucial platforms for his work to gain visibility. His style is marked by a refined draftsmanship and a subtle use of color, often employing muted palettes that lend an air of introspection to his scenes. While not overtly dramatic, his paintings possess a quiet intensity, inviting viewers to linger and contemplate the nuances of everyday life.
Throughout his career, Cusumano balanced his artistic practice with teaching positions at New York University (1951-1974) and Cooper Union (1955-1974), nurturing a new generation of artists. His dedication to both creating and educating solidified his place within the art community. Recognition came in the form of awards such as the Foundation Purchase Prize in 1962, and the Childe Hassam Award from the American Institute of Arts and Letters in both 1968 and 1971. More importantly, his work found its way into the permanent collections of esteemed institutions including The National Gallery in Washington D.C., The Metropolitan Museum of Art, and the Whitney Museum of American Art—testaments to the enduring quality and significance of his vision.
In a surprising turn, Stefano Cusumano’s life took an unexpected path beyond the realm of art. Born also as Nuccio Cusumano (October 16, 1948), he entered Italian politics, serving as a Senator from 2006 to 2008. His political career was marked by complexity and controversy, including involvement in key votes of confidence and allegations of corruption that were later exonerated. This chapter, while distinct from his artistic endeavors, reveals a man deeply engaged with the world around him—a willingness to participate in public life despite its challenges. The story of Nuccio Cusumano serves as a reminder that individuals often harbor multiple identities and passions, and that a creative spirit can find expression in diverse arenas.
1948 - 2008 , Italy
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