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Olje på lerret
Veggkunst
Rural Landscape Painting
1929
51.0 x 76.0 cm
Courtauld-gallerietGiclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndlaget maleri
Kjøp bilde)
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Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (22 August)
Dewpond, Surrey
Størrelse på reproduksjon
Raymond James Coxon’s “Dewpond, Surrey,” skapt i 1929, er et verk som fascinerer ved sin evne til å fremkalle følelser av ro og forbindelse med naturen. Dette oljemaleri på lerret, nå hjemmehørende i The Courtauld Gallery i London, representerer en betydelig kontrast til den hektiske urbaniteten som preget begynnelsen av det 20. århundre.
Coxon brukte olje på lerret som medium, noe som var vanlig praksis blant landskapsmalere på denne tiden. Lerreten ble nøye preparert for å sikre optimal pigmentbinding og stabilitet over tid. Coxons bruk av teknikken inkluderte flere lag med glatte penselstrøk og subtile blendingsteknikker for å skape dybde og atmosfære.
"Dewpond, Surrey" er mer enn bare et landskapsbilde; det er en samtale mellom kunstner og betrakter om temaer som fred, enkelhet og menneskets forhold til miljøet. Innsjøens stillhet og den rolige atmosfæren inviterer publikum til å finne balsam for sjelen i denne vakre gjengivelsen av ruralt liv.
En reproduksjon av "Dewpond, Surrey" kan bringe denne følelsen av ro og naturlighet inn i ethvert hjem – og tjene som en påminnelse om viktigheten av å finne tilbake til enkelhet og forbindelse med omgivelsene våre.
The history of twentieth-century British art is often told through the lens of sudden movements and radical shifts, yet few lives embody the enduring spirit of artistic evolution as profoundly as that of Raymond James Coxon. Born in Hanley, Staffordshire, in 1896, Coxon’s journey was one of remarkable longevity and stylistic breadth, spanning nearly a full century of creative exploration. His life was shaped by the tumultuous tides of history, from the harrowing experiences of the Great War to the quiet, contemplative moments of post-war reconstruction. This vast temporal canvas allowed him to witness—and participate in—the transformation of the British aesthetic landscape, moving from the rigorous classical foundations of his youth toward a more nuanced and experimental modernism.
Coxon’s artistic identity was forged in the prestigious halls of the Leeds School of Art and the Royal College of Art. It was during these formative years that he developed a deep-seated respect for technical mastery, a trait nurtured under the guidance of influential figures such as Sir William Rothenstein. His early academic achievements were nothing short of ambitious; his diploma submission, a monumental mural inspired by Masaccio’s Expulsion from Paradise, revealed a young artist capable of grappling with grand, classical narratives and complex human emotion. This period was also marked by significant social connections, most notably a friendship with the legendary sculptor Henry Moore, which placed Coxon within a vibrant circle of artists who would redefine the boundaries of British sculpture and painting.
The trajectory of Coxon’s career was irrevocately altered by his service in the Machine Gun Corps during World War I. While the conflict brought immense hardship, it also provided a unique, visceral perspective that would forever inform his observational skills. Serving within the cavalry section, Coxon utilized watercolor miniatures to document the fleeting, often brutal realities of the front lines. These small-scale works served as intimate windows into a world in chaos, demanding a precision and an ability to capture atmosphere that would later become hallmarks of his broader repertoire. This period of documentation instilled in him a profound sense of the importance of the "moment"—the ability to freeze time through the tip of a brush.
As the decades progressed, Coxon’s work began to reflect a fascinating departure from purely representational forms. While he remained deeply rooted in the traditions of landscape and portraiture, there was an unmistakable pull toward abstraction. His landscapes, such as the evocative Dewpond, Surrey, demonstrate a masterful command over light and topography, yet they also hint at a deeper, more structural understanding of the natural world. Similarly, his portraits, exemplified by the elegant Model Resting, showcase a sophisticated use of tone and form to convey character and presence, blending the classical discipline of his training with a modern sensibility for texture and space.
The significance of Raymond James Coxon lies not only in the breadth of his subject matter but in his ability to remain relevant across shifting artistic epochs. His oeuvre serves as a bridge between the traditionalist values of the late Victorian era and the experimental spirit of the mid-twentieth century. Whether capturing the rugged beauty of Tremadoc or exploring the complexities of the human figure, Coxon’s work remains anchored by a sincere commitment to the craft of painting.
To reflect on his life is to trace the evolution of British art itself:
1896 - 1997 , United Kingdom
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