Czy dzieło Plus Color jest chronione prawem autorskim?

Tak, to dzieło jest nadal chronione prawem autorskim.

Kup reprodukcję giclée o tematyce Plus Color

Opis dzieła

For the Plus Color series of glasses, two kinds of glaze were used to produce three colors. Among the various materials of ceramics, the artist is especially interested in glaze, and thought about a not-too-excessive decoration that could be a defining feature in the simple forms of cups. The artist also paid attention to the third color that comes through the firing process after overlapping different glazes. This series is completed by combining the artist’s intention along with coincidence based on elements such as the thickness of the glaze and its flowing form. (Fieldwork Press)

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O artyście

The Convergence of Screen and Script

Born in the vibrant heart of Seoul in 1980, Lee Yu-ri has carved a unique path that defies the traditional boundaries between the performing arts and visual expression. While many recognize her through the flickering light of the television screen, her identity is deeply rooted in a much more tactile medium. Her journey began in the youthful energy of teen dramas like School 4, where she first captured the public's imagination. Yet, beneath the surface of her cinematic presence lies a profound connection to the ancient rhythms of Korean calligraphy. This duality—the ability to inhabit a character on screen and to command the ink on paper—creates a fascinating dialogue between the ephemeral nature of performance and the enduring permanence of written art.

The Calligraphy of Character

For Lee, the act of performing is inextricably linked to her passion for visual arts. Her upbringing, steeped in the rich cultural traditions of South Korea, instilled in her an appreciation for meticulous craftsmanship and the delicate balance required in both calligraphy and acting. In the fluid strokes of a brush, she finds themes of harmony, introspection, and precision—concepts that she masterfully translates into her dramatic roles. When she portrays characters grappling with intense emotion, such as the grieving mother in Precious Family, one can sense the same controlled intensity found in a single, deliberate ink stroke. This artistic grounding allows her to approach complex narratives not merely as scripts to be memorized, but as compositions to be felt and balanced, much like the careful arrangement of characters on a scroll.

A Legacy of Emotional Resonance

The evolution of Lee Yu-ri’s career is marked by a transition from beloved ingenue to a formidable presence capable of portraying even the most complex antagonists. Her rise to prominence was cemented by her transformative performances in series such as Twinkle Twinkle and Jang Bo-ri Is Here!, where she earned the striking moniker of the "Nation’s Villain." This period of her career, highlighted by winning the prestigious Grand Prize at the MBC Drama Awards, demonstrated a technical mastery over the nuances of human conflict. Through her work, Lee continues to bridge the gap between East and West, bringing a uniquely Korean sensibility to the global stage. Her life remains a testament to the idea that the artist’s soul is not confined to a single medium, but rather flows through every role she inhabits and every line she draws.

lee yu-ri

1980 - , South Korea

Krótka nota

Date Of Birth: January 28, 1980
Full Name: Lee Yu-ri
Nationality: Korean
Notable Artworks:
- School 4
- Precious Family
- Spring Turns to Spring
Place Of Birth: Seoul, South Korea

Plus Color

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