x
52.0 x 59.0 cm
Royal College of ArtGiclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Kupi ročno naslikano sliko Kupi digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (18 avgust)
Abstract Composition (Bridge at Étaples)
Velikost reprodukcije
Alistair Grant (1925–1997) stands as a monumental figure in British printmaking and modern art, recognized for his distinctive approach to abstraction and his unwavering dedication to fostering artistic exploration. Born in London amidst the backdrop of post-war Britain, Grant’s formative years were deeply rooted in Normandy, France—specifically Etaples—where he resided throughout his life, profoundly shaping his artistic vision.
His father, a Scottish immigrant, instilled in him a blend of cultural influences that would permeate his oeuvre. Despite initially pursuing veterinary studies, Grant swiftly gravitated towards art school, enrolling at Birmingham College of Art (1941–43) before serving with the RAF during World War II. This military experience broadened his horizons and honed his observational skills.
Returning to academia after the war, Grant excelled at Royal College of Art (RCA), where he studied under luminaries like Carel Weight and Ruskin Spear—artists who championed experimentation and innovation. He embraced printmaking with fervor, mastering lithography and etching techniques under Edwin La Dell and Robert Austin, establishing himself as a masterful craftsman.
Grant’s tenure at RCA spanned three decades (1955–90), culminating in his role as Head of Department from 1970 to 1990 and Professor Emeritus from 1984 to 1990. During this period, he nurtured a vibrant printmaking community, attracting talented students and fostering collaborative projects—a testament to his belief that rigorous critique stimulates creativity and resilience.
Beyond RCA, Grant’s artistic pursuits extended across diverse mediums, including painting, collage, and illustration. He collaborated with fellow artists like Michael Rothenstein, Julian Trevelyan, Eric Ravilious, and Peter Green, engaging in dialogues about art and technique that enriched the British printmaking landscape. His work was showcased internationally at events such as the Print Biennale Ljubljana (1972), cementing his reputation as a visionary artist.
Grant’s artistic style evolved from figurative representations to increasingly abstract explorations—characterized by bold colors, dynamic compositions, and evocative imagery inspired by landscapes, particularly those of Normandy. He famously stated, “For me, my pictures are a transcription of my feelings for boats, for the sea, the light, for a privileged moment…” This sentiment encapsulates his artistic ethos: capturing fleeting impressions and conveying profound emotional resonance.
Grant’s legacy extends beyond his individual artworks; he championed printmaking as an art form and instilled in generations of students a commitment to experimentation and artistic integrity. His influence continues to resonate within the British art world, ensuring that Alistair Grant's contribution to modern art remains celebrated for years to come.
1925 - 1997
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