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Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. (
Kupi print Kupi digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Можете унети сопствене димензије како бисте прилагодили дело одређеном оквиру или простору. Ако одабрана величина не одговара пропорцијама оригинала, слика ће бити исечена или проширена додатним елементима који се ручно насликавају. Дигитални prikaz ће вам бити послат на одобрење пре почетка производње.
Имајте на уму да преглед на екрану не одражава стварно исецање или проширење. Само приказ (mockup) ће тачно приказати коначну композицију.
Иако су доступне прилагођене величине, препоручујемо да одаберете димензију из дефинисане листе како бисте сачували оригиналне пропорције.
Isporuka širom sveta () za 3/4 nedelje umesto uobičajenih 5 nedelja. (14 август). Bez kompromisa po pitanju kvaliteta.
Old Man
Dimenzije reprodukcije
Orazio Marinali (born February 24, 1643, in Angarano near Bassano del Grappa – died April 6, 1720, in Vicenza) was an Italian late-Baroque sculptor. He hailed from a family of artists and began his training in Venice under the tutelage of Josse de Corte, a leading sculptor of the time. De Corte’s influence is evident in Marinali's early works, particularly in their dramatic power and skillful use of chiaroscuro.
Marinali quickly established himself as a prolific sculptor, working throughout the Veneto region. His style evolved from the initial influence of De Corte to encompass a unique blend of Baroque drama and local Venetian sensibilities. He was adept at both religious sculpture and secular works, demonstrating versatility in his choice of materials – primarily marble and *pietra tenera* (soft limestone). His work is characterized by dynamic compositions, expressive figures, and meticulous attention to detail.
Marinali’s most significant achievement lies in the extensive sculptural program he created for Villa Lampertico (also known as Villa Conti or La Deliziosa) near Vicenza. Over a period of years, he and his workshop produced over 150 statues for the villa's estate and gardens. These sculptures represent a diverse range of subjects:
The garden also features his large fountain group, *La Ruota*, symbolizing the four corners of the world.
Beyond Villa Lampertico, Marinali contributed to numerous other projects throughout the Veneto:
Marinali’s work reflects not only the influence of Josse de Corte but also a keen observation of contemporary Venetian society and theatrical traditions. He trained several pupils, including Domenico Aglio and Lorenzo Mattielli (who married his brother Angelo's daughter), continuing the family workshop’s legacy.
In the 20th century, many of Marinali’s garden statues from the Vicenza area were relocated to Villa La Pietra near Florence by Arthur Acton, enriching its gardens alongside works by Antonio Bonazza, a Paduan sculptor influenced by Marinali. Marinali's sculptures remain as important examples of late Baroque sculpture in Italy and demonstrate his skill in capturing both dramatic intensity and nuanced characterization.
Orazio Marinali’s work provides valuable insight into the artistic tastes and social dynamics of 18th-century Venice and the surrounding Veneto region. His sculptures, particularly those at Villa Lampertico, offer a unique glimpse into the world of aristocratic patronage and the popular culture of the time. He stands as a significant figure in the transition from High Baroque to Rococo styles.
1643 - 1720 , Italy
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
