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Akryl på duk
Väggkonst
Informal Abstract
91.0 x 65.0 cm
Galleria Civica di Arte Moderna e Contemporanea TorinoGiclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion
Köp högupplöst bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
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Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
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Komposition
Storlek på reproduktion
Pierre Soulages (1919-2022) was a French abstract painter, engraver, and sculptor. Celebrated as “the world’s greatest living artist” by François Hollande in 2014, Soulages dedicated his life to exploring the depths of black – not as an absence of color, but as a presence brimming with light and texture.
Born in Rodez, Aveyron, France, in 1919, Soulages’ artistic journey began with explorations of museums in Paris before World War II. He sought his vocation amidst the masterpieces of the past. Following military service during the war, he established a studio in Paris and debuted his work at the Salon des Indépendants in 1947. He also briefly worked as a stage set designer.
Soulages' artistic development was marked by a relentless pursuit of expressing light through the medium of black. He wasn’t interested in black for its somber connotations, but rather for its capacity to reflect and absorb light, creating an interplay of shadow and illumination. This led him to develop his signature style, which he termed ‘Outrenoir’ – literally “beyond black.”
He explained that Outrenoir isn't simply about the color black; it represents a different realm altogether, akin to saying "beyond the Channel" for England or "beyond the Rhine" for Germany. It signifies a space beyond conventional understanding of the color itself.
Soulages’ technique involved applying paint in thick layers, often manipulating it with tools like spoons, rakes, and rubber implements to create textured surfaces. These textures were crucial for capturing and reflecting light. He employed scraping, digging, and etching movements to achieve smooth or rough effects, disrupting the uniformity of the black surface.
In his later work, he began experimenting with varying pigment densities – mixing matte and glossy blacks – further enhancing the interplay of light and shadow. He often preferred suspending his paintings like walls in the middle of a room, believing they should “look inside of us” rather than acting as windows to another world.
Soulages’ fascination with black stemmed from an early interest in prehistoric art and a desire for purity and primal expression. He saw parallels between his work and the cave paintings of our ancestors, created using charcoal on dark rock surfaces.
His influence extends to numerous contemporary artists who explore abstraction, texture, and the expressive potential of limited color palettes. He left behind a legacy that challenges conventional perceptions of color and light, demonstrating that even in darkness, profound beauty and luminosity can be found. He is considered a pivotal figure in Tachism, an informal style of abstract expressionism.
Pierre Soulages’ work represents a significant contribution to post-war abstract art. His unwavering dedication to exploring the nuances of black and light established him as a unique and influential voice in the artistic landscape, captivating audiences worldwide for over seven decades.
1919 -
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