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Running shoe

  • Skapelsedatum1997
  • Mått51.0 x 130.0 cm

Discover Samuel Kane Kwei's unique design coffins – vibrant artworks reflecting Ghanaian life & tradition. A pioneering artist whose legacy continues to inspire.

Giclée / Konsttryck

Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (Beställ handmålad reproduktion Beställ handmålad reproduktionKöp högupplöst bild Köp högupplöst bild)

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Totalpris

$ 68

reproduction

Running shoe

Giclée / Konsttryck

Storlek på reproduktion

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Slutgiltigt pris

$ 68

Om samlarobjektet

Samuel Kane Kwei (born in 1954, Teshie, Ghana) upholds his father’s tradition of decorating coffins in a manner which reflect upon the life of the deceased. Kane Kwei (1922-1992) was trained as a cabinet maker, and in 1951 he opened his own workshop in Teshie, a fishing village on the outskirts of Accra. He built his first decorated coffin—in the shape of a dugout—for one of his uncles, a fisherman who had owned flotilla of them. He dedicated himself from then on to this new funerary art and worked, secluded, almost exclusively for the elders of his clan. The art dealer Vivian Burns introduced his work to American audiences in 1974; over the last thirty years his sculptures and those of his workshop have made an original contribution to the tradition of funerary cults in Western Africa—they have also been collected and exhibited internationally.Samuel was trained in his father’s workshop, along with other apprentices, and he has made coffins that closely follow his father’s prototypes. For example, Kane Kwei had first carved an onion-shaped coffin for one of the village elders who had made a fortune in growing onions, a staple of the local diet, and Samuel has continued to produce coffins in this form. Another popular form that has been carried down from father to son is that of a white Mercedes Benz, originally conceived as a coffin for an owner of a fleet of taxis, but also used for other wealthy customers. However, Samuel Kane Kwei has also explored other possibilities, creating sculptures that reflect upon more up-to-date aspects of popular culture and daily life. He has also worked freely for more Western clients, creating sculptures that are not intended for funerary use.

Konstnärsbiografi

Lucian Freud: A Portrait of the Soul

Lucian Michael Freud (1922-2011) remains one of the most compelling and challenging figures in 20th-century British art. More than simply a portrait painter, Freud offered an intensely intimate and often unsettling glimpse into the lives and psyches of his subjects – friends, family, lovers, and even strangers. His work, characterized by its thick impasto, stark lighting, and unflinching realism, has cemented his place as a pivotal voice in British art, profoundly influencing generations of artists while simultaneously provoking debate and admiration.

Born in Berlin during the turbulent years of the Weimar Republic, Freud’s early life was shaped by the intellectual currents swirling around his family. His father, Ernst L. Freud, was a renowned architect and the fourth child of Sigmund Freud, the celebrated founder of psychoanalysis. This lineage imbued Lucian with a deep awareness of the complexities of human psychology, a theme that would become central to his artistic explorations. The family’s emigration to London in 1933, fleeing the rising threat of Nazism, instilled in him a sense of displacement and an enduring fascination with identity and belonging.

Freud's artistic journey began with a flirtation with Surrealism in his youth, influenced by the vibrant art scene of Paris. However, he quickly moved beyond this initial phase, developing a distinctly personal style rooted in observation and direct engagement with his subjects. He eschewed idealized representations, instead favoring a brutally honest portrayal of flesh, wrinkles, and imperfections – qualities that he believed revealed the true essence of human experience. His early works, such as “Portrait of Kitty” (1948-49), already demonstrated his mastery of capturing psychological depth through subtle shifts in expression and gesture.

The School of London and a Distinctive Voice

In the late 1940s and early 1950s, Freud became associated with a group of artists known as “The School of London,” a loosely defined collective that included David Hockney, Peter Blake, and Barbara Hepworth. While sharing a common interest in exploring British identity and rejecting academic traditions, each artist developed a unique voice. Freud’s contribution to this movement was particularly significant; his portraits were markedly different from the more playful or abstract works of his contemporaries. He eschewed fashionable trends, focusing instead on creating intensely personal and emotionally resonant images.

A key element of Freud's artistic practice was his demanding approach to portraiture. He insisted on lengthy sittings with his subjects, often for days at a time, requiring them to remain motionless and vulnerable. This extended engagement fostered a deep connection between artist and model, resulting in portraits that were not merely likenesses but profound explorations of character and inner life. His famous 1995 painting “Benefits Supervisor Sleeping” exemplifies this approach, capturing the quiet dignity and subtle complexities of his subject with remarkable sensitivity.

Technique and Style: A World of Texture

Freud’s distinctive style is immediately recognizable through its use of thick, layered impasto – a technique in which paint is applied so thickly that it stands out from the surface. This creates a tactile quality to his paintings, inviting viewers to engage with the work on a physical level. He employed a limited palette of earthy tones—browns, ochres, and greys—to create a sense of mood and atmosphere, often emphasizing shadows and highlighting the contours of the human form. His brushstrokes were deliberate and expressive, conveying not only the appearance of his subjects but also their emotional state.

Furthermore, Freud’s masterful use of light is crucial to his work. He frequently employed stark, directional lighting that cast dramatic shadows, emphasizing the textures of skin and clothing while simultaneously creating a sense of isolation and vulnerability. This technique contributes significantly to the psychological intensity of his portraits, drawing attention to the subtle nuances of expression and gesture.

Legacy and Influence

Lucian Freud’s impact on British art is undeniable. His unflinching realism, coupled with his profound understanding of human psychology, established him as a major figure in the post-war era. He challenged conventional notions of portraiture, demonstrating that it could be both deeply personal and intellectually stimulating. His work continues to provoke debate and admiration, inspiring artists today with its honesty, vulnerability, and unwavering commitment to capturing the essence of the human condition.

Beyond his artistic achievements, Freud’s life itself became a subject of fascination. His private nature and fiercely independent spirit contributed to his enigmatic persona, further enhancing the mystique surrounding his work. He died in 2011 at the age of 88, leaving behind a vast and influential body of paintings that continue to resonate with viewers around the world.

samuel kane kwei

samuel kane kwei

1922 - 1992 , Ghana

Kortfakta

  • Artistic Movement Or Style: Figurative art, Portraiture
  • Artists Or Movements Influenced By This Artist: ['David and Eli School']
  • Artists Who Influenced This Artist:
    • Surrealism
    • Expressionism
  • Date Of Birth: 8 December 1922
  • Date Of Death: 20 July 2011
  • Full Name: Lucian Michael Freud
  • Nationality: British
  • Notable Artworks:
    • Portrait of Kitty
    • Benefits Supervisor Sleeping
  • Place Of Birth: Berlin, Germany