x
52.0 x 36.0 cm
Ministero degli Affari Esteri e della Cooperazione Internazionale. Collezione FarnesinaRučně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. ( Koupit tisk
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Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
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Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (15 srpen). Bez kompromisů v kvalitě.
Divano
Rozměry reprodukce
Gloria Argeles, born in Córdoba, Argentina in 1940, is a name increasingly resonant within the world of contemporary sculpture. Her journey as an artist hasn’t been one of explosive fanfare, but rather a steady, profound exploration of form, texture, and the intrinsic beauty found within the natural world. Argeles's work isn’t simply *about* nature; it feels intrinsically connected to it, echoing the organic processes of growth, decay, and renewal. From her early beginnings in Córdoba, she developed an acute sensitivity to the landscapes surrounding her – a sensibility that would become the cornerstone of her artistic vision.
While specific details regarding Argeles’s formal training remain somewhat elusive, it's clear that her education was deeply rooted in observation. Argentina in the mid-20th century was a nation undergoing significant social and political shifts, but for Argeles, the most powerful influence came from the land itself. The vast pampas, the rugged sierras of Córdoba, and the rich biodiversity of the region all left an indelible mark on her developing aesthetic. She began experimenting with various materials – clay, stone, wood – intuitively seeking ways to translate the complex forms she encountered in nature into three-dimensional expressions. Her early sculptures were characterized by a rawness and immediacy, often employing found objects and incorporating natural elements directly into the work.
Argeles’s signature style quickly emerged as one defined by its tactile quality and organic forms. She doesn't strive for perfect representation; instead, she focuses on capturing the *essence* of nature – its energy, its rhythms, its inherent imperfections. Her sculptures often resemble abstracted geological formations or the intricate structures found within plant life. The surfaces are rarely smooth or polished; they bear the marks of her hands, revealing the process of creation and emphasizing the materiality of the work. This emphasis on texture isn’t merely aesthetic; it's a deliberate attempt to engage the viewer on a visceral level, inviting them to touch, explore, and connect with the sculpture in a more intimate way.
Argeles’s talent didn’t remain confined to Argentina for long. Throughout the 1990s and beyond, her work began to gain international recognition, culminating in exhibitions at prestigious venues such as the Xia Quadriennale di Roma in 1996, and displays at the Museo di Roma in Trastevere and the Museo de Arte Moderno in Mexico. Her participation in these events not only broadened her audience but also solidified her position within the global contemporary art scene. A particularly notable achievement was her North American tour in 2018, which included a performance at the Orpheum Theatre in Los Angeles – an unusual venue for sculpture, suggesting a willingness to push boundaries and explore new modes of presentation.
Gloria Argeles’s work stands as a powerful testament to the enduring power of nature. In an increasingly urbanized world, her sculptures serve as a poignant reminder of our connection to the natural environment and the importance of preserving it. Her pieces are held in esteemed collections such as the Museum of Modern Art in New York and the Tate Gallery in London, ensuring that her vision will continue to inspire generations of artists and art lovers. She isn’t simply creating objects; she is fostering a dialogue – a conversation between humanity and the natural world, expressed through the evocative language of form, texture, and enduring beauty.
1940 - , Argentina
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