x
1980
50.0 x 35.0 cm
American University of BeirutGiclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy. ( Koupit ručně malovaný obraz
Koupit obrázek)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (18 srpen)
Pierre Sadek 80
Rozměry reprodukce
Pierre Sadek (1938 – April 24, 2013) was a Lebanese caricaturist widely regarded as a pioneer of political cartooning in the Arab world. Born in Zahle, Lebanon, he received his formal artistic training at the Lebanese Academy of Fine Arts. This foundation equipped him with the skills necessary to pursue a career that would become synonymous with fearless social and political commentary.
Sadek began his professional journey working for several prominent Lebanese newspapers, including Al Amal, Al Anwar, An-Nahar, Ad-Diyar, and Assayad magazine. It was at Assayad that he first encountered significant controversy, as his caricatures of Egyptian President Gamal Abdel Nasser led to his dismissal – a testament to the power and sensitivity of his work. He also collaborated with international media outlets such as Time, France Soir, and the Washington Post, broadening his reach and influence.
Sadek’s style was characterized by its sharp wit, bold lines, and unflinching portrayal of political figures and events. He didn't shy away from tackling sensitive subjects, often using satire to expose corruption, hypocrisy, and injustice. His work frequently addressed themes of Lebanese politics, Arab nationalism, the Israeli-Palestinian conflict, and the complexities of religious tensions in the region.
Sadek was known for his politically right-wing views, advocating for a traditional vision of Lebanon. He openly supported figures like Raymond Edde, Camille Chamoun, Bachir Gemayel, and Rafic Hariri. He was highly critical of Pan-Arab Nasserites, the PLO, Syrian leadership, and their Lebanese allies during the civil war. His later work focused heavily on Hezbollah and its leader, Hassan Nasrallah, often provoking strong reactions and threats.
Pierre Sadek’s legacy extends beyond his artistic skill; he was a champion of freedom of expression in a region where such freedoms are often curtailed. His willingness to challenge authority and speak truth to power made him a beloved figure among those who valued independent thought and critical discourse. He paved the way for future generations of political cartoonists in Lebanon and throughout the Arab world, leaving an indelible mark on the cultural landscape.
Pierre Sadek passed away on April 24, 2013, at St. George Hospital in Ashrafieh, Beirut, after a long battle with cancer. He was 75 years old. His death was mourned by many who recognized his courage and contribution to Lebanese society.
1938 - 2013 , Lebanon
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