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Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. (
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Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (15 srpen). Bez kompromisů v kvalitě.
A mountainous landscape
Rozměry reprodukce
Roelant Roghman, born in Amsterdam in 1627, stands as a quietly influential figure within the vibrant tapestry of the Dutch Golden Age. Though overshadowed by contemporaries like Rembrandt and Rubens, Roghman carved out a distinctive artistic niche—primarily focused on landscape painting and architectural etchings—that captured the spirit of his era with remarkable sensitivity and detail.
His early life remains somewhat elusive, documented primarily through biographical sketches penned by Arnold Houbraken. Accounts suggest he possessed only one eye, a characteristic that arguably informed his artistic approach – a preference for capturing atmosphere and texture rather than striving for photographic realism. Crucially, Roghman’s formative years were spent under the tutelage of his namesake and great-uncle, Roelant Savery, a renowned engraver whose influence undoubtedly shaped Roghman's technical skills.
Roghman’s artistic career blossomed during the mid-17th century, coinciding with the peak of Dutch artistic innovation. He quickly established himself as a collaborator with his sister, Magdalena Savery, embarking on ambitious printmaking projects that would solidify their reputation. Their partnership yielded over 200 stunning landscape prints depicting castles and estates across North Holland and Utrecht—a series celebrated for its meticulous observation of nature and its masterful execution.
Houbraken’s writings highlight Roghman's connections to the artistic circles of Amsterdam, describing him as a friend of Rembrandt and Gerbrant van den Eekhout. This association underscores Roghman’s immersion in the prevailing stylistic trends of his time—particularly Rembrandt’s dramatic chiaroscuro technique—which he skillfully employed to convey mood and depth within his canvases.
Beyond his collaborative endeavors, Roghman served as a teacher to Jan Griffier and Pieter Wouwerman, passing on his knowledge and fostering the development of younger artists. His legacy resides not merely in the beauty of his landscapes but also in his contribution to the broader artistic landscape of Amsterdam during its golden age—a testament to his dedication and enduring influence.
Roghman died peacefully in 1692, residing at the Old Men’s Almshouse in Amsterdam. Though he remained largely unrecognized during his lifetime, subsequent scholarship has illuminated Roghman's significance as a landscape painter who embodied the ideals of the Dutch Golden Age—a period defined by artistic brilliance and intellectual curiosity.
1627 - 1692
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