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All I Know

Explore Maria Tomasula's layered paintings & drawings exploring embodiment & selfhood. A captivating Latinx studio artist known for emotional intensity & material surfaces.

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (Osta käsitsi maalitud maal Osta käsitsi maalitud maalOsta pilt Osta pilt)

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Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (21 august)

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reproduction

All I Know

Giclée / Kunstiprint

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Kunstniku elulugu

A Life Immersed in Embodiment: The Art of Maria Tomasula

Maria Tomasula, born in Chicago in 1958, is a Latinx studio artist whose paintings, drawings, and prints resonate with a profound emotional intensity and a meticulous attention to material surfaces. Her work isn’t simply *about* experience; it strives to embody it, translating the elusive sensation of being into visual form. Tomasula's artistic journey has been one of deep exploration—an ongoing investigation into selfhood as something inextricably linked to the world around us, shaped by shared histories, environmental forces, and the very fabric of existence. She received her Bachelor of Fine Arts degree from the University of Illinois at Chicago, laying a foundational groundwork for her later explorations, before pursuing an MFA at Northwestern University. This academic grounding provided not just technical skill but also a critical framework for understanding art’s potential to engage with complex ideas.

Early Influences and Artistic Development

Tomasula's upbringing in the vibrant cultural landscape of Chicago undoubtedly played a significant role in shaping her artistic sensibility. The city, a melting pot of diverse communities, instilled in her an awareness of hybridity and the layered nature of identity. Her early work began to hint at the themes that would become central to her practice: memory, spirituality, and the subtle power of everyday objects. A key turning point came with her engagement with “new materialist” writers—thinkers who challenge traditional notions of subjectivity and emphasize the interconnectedness of all things. This philosophical shift prompted Tomasula to move beyond representation and towards a more embodied approach to painting. She began to focus on the materiality of paint itself, building up surfaces that are rich in texture and color, almost as if the paintings themselves were accumulating experience over time. The influence of Mexican altar painting is also readily apparent in her compositions—a theatrical use of color and arrangement that imbues even the simplest subjects with a sense of reverence and symbolic weight.

Themes of Entanglement and Sensory Experience

Tomasula’s artwork consistently returns to the idea of entanglement – how we are inextricably bound to our surroundings, to history, and to one another. This isn't presented as a burden but rather as an inherent condition of being human. Her paintings often feature seemingly mundane objects—fruit, flowers, textiles—but these aren’t simply still lifes. They become metaphors for the body itself, imbued with evocative qualities and sensual characteristics. A bowl of fruit might suggest abundance and decay, while a draped cloth could evoke both comfort and constraint. The artist masterfully uses color to create emotional resonance, often employing striking combinations that are at once alluring and unsettling. Her compositions frequently feel suspended in time, inviting the viewer to linger and contemplate the subtle nuances of each form. The goal is not to depict reality but to create a space where sensory experience can unfold.

Major Achievements and Recognition

Throughout her career, Maria Tomasula has garnered significant recognition for her unique artistic vision. She has exhibited widely in venues across the United States, including solo shows at Forum Gallery in New York and Los Angeles, the Indianapolis Museum of Art, and the National Museum of Mexican Art in Chicago. Her work has been featured in prominent publications such as The New York Times, ARTnews, and The New Yorker. In 2018, Forum Gallery presented a solo exhibition titled “All the Breath We Can Hold,” further solidifying her position within the contemporary art world. More recently, the publication of Soo Y. Kang’s monograph, *The Art of Maria Tomasula: Embodiment and Splendor* (2022), has provided a comprehensive overview of her artistic practice, offering valuable insights into her philosophical underpinnings and technical innovations.

Historical Significance and Lasting Legacy

Maria Tomasula's work occupies a unique space within contemporary painting. She challenges traditional notions of representation while simultaneously embracing the power of materiality and sensory experience. Her exploration of embodiment resonates with current debates surrounding identity, subjectivity, and the interconnectedness of all things.
  • Her commitment to exploring her Latinx heritage adds another layer of complexity to her work.
  • Tomasula’s influence extends beyond her own paintings—she is currently a Professor of Art at the University of Notre Dame, mentoring a new generation of artists and fostering critical dialogue about contemporary art practices.
  • Her ability to create images that are both visually stunning and intellectually stimulating ensures her lasting legacy as a significant voice in the field of contemporary art.
As an artist who consistently pushes boundaries and challenges conventions, Maria Tomasula continues to inspire viewers with her layered paintings and drawings—works that invite us to contemplate the elusive sensation of being and the profound beauty of our entangled existence.
maria tomasula

maria tomasula

1958 - , United States of America

Lühikesed faktid

  • Artistic Movement Or Style: Contemporary Painting
  • Date Of Birth: 1958
  • Full Name: Maria Tomasula
  • Nationality: Latinx American
  • Notable Artworks: ['All I Know']
  • Place Of Birth: Chicago, USA