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Untitled (Easter Parade)

  • 制作日1949
  • 寸法25.0 x 34.0 cm

Adolf Dehn (1895-1968) was an American lithographer known for his satirical depictions of the Roaring Twenties, social realism, and vibrant landscapes. A Guggenheim Fellow & key Regionalist artist.

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (Switch to hand made Painting Switch to hand made PaintingSwitch to Image Switch to Image)

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合計金額

$ 68

reproduction

Untitled (Easter Parade)

ジークレー/アートプリント

複製画のサイズ

-

合計金額

$ 68


アーティストの略歴

Early Life and Education

  • Born: November 22, 1895, in Waterville, Minnesota
  • Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.
  • Early artistic talent evident from the age of six.
  • Graduated as valedictorian from Waterville High School in 1914.
  • Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.
  • Formed a close friendship with Wanda Gág, also an artist.
  • Received a scholarship to the Art Students League of New York in 1917.

World War I and Early Career

  • Drafted into World War I in 1918 but declared himself a conscientious objector.
  • Imprisoned for four months in Spartanburg, South Carolina, due to his objection.
  • Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.
  • Returned to the Art Students League for further study.
  • Created his first lithograph, *The Harvest*, around 1920.
  • Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.

European Period and Development as an Artist

  • Traveled to Europe in 1921, residing primarily in Paris and Vienna.
  • Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.
  • Supported himself through illustration work for magazines like *Vanity Fair*.
  • Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.
  • His work began to reflect the social scene of Europe, particularly Vienna and Berlin.

Return to America and Mature Artistic Style

  • Returned to New York City in 1929.
  • Artwork featured in magazines such as *The New Yorker* and *Vogue*.
  • Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.
  • Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.
  • His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.
  • Became known for his vibrant landscapes and depictions of everyday life.
  • Second Guggenheim Fellowship awarded in 1951.

Legacy and Historical Significance

  • Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.
  • His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.
  • Recognized for his contributions to lithography, watercolor painting, and caricature.
  • Influenced other artists, notably Jackson Pollock, with his innovative techniques.
  • Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.
  • His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.
Adolf Dehn

Adolf Dehn

1895 - 1968 , United States of America

基本情報

  • Artistic Movement Or Style:
    • Regionalism
    • Social Realism
    • Caricature
  • Artists Or Movements Influenced By This Artist: ['Jackson Pollock']
  • Date Of Birth: November 22, 1895
  • Date Of Death: May 19, 1968
  • Full Name: Adolf Dehn
  • Nationality: American
  • Place Of Birth: Waterville, United States