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It is breezing

  • 寸法200.0 x 500.0 cm

Kozo Nishino is a Japanese sculptor renowned for large-scale kinetic art that interacts with wind & space. His metallic sculptures, often found in public spaces globally, explore themes of nature, freedom, and connection through elegant, moving forms

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作品の詳細

After completing the sculpture course at Kyoto City University of Arts in 1977, Nishino visited the remains in various countries all over the world. Upon his return to Japan, he submitted his works to exhibitions such as The Contemporary Art Exhibition of Japan and The International Art Exhibition, Japan. In 1988, he won The Museum of Modern Art, Saitama Prize at the Contemporary Sculpture Exhibition at the Suma Detached Palace Garden, Kobe. In 1989, he won The National Museum of Modern Art, Tokyo Prize at the Contemporary Japanese Sculpture Exhibition (UBE Biennale). He has made numerous monuments in which the expanse of the space or an airy flow can be felt. The look of a saxophone has been captured faithfully and enlarged. Together with the musical fountain, it is familiar as the symbol of Kita-Urawa Park. Considering that the majority of Nishino’s works are abstract in tendency, this work may seem an offshoot, but it won the prize awarded by our museum at the Contemporary Sculpture Exhibition at the Suma Detached Palace Garden, Kobe and proved a significant turning point. Nishino began by making a wooden mold, around which he wound wire as the weft. He then welded the wires forming the warp, removed the wooden mold, and attached the parts on the exterior. The golden luminance is obtained by consecutively applying a coat of titanium oxide on the wire surface while electrolyzing the water and applying appropriate voltage. Contrary to its refreshing appearance, this work required an overwhelming amount of time and effort. After being damaged in an unfortunate incident in 2002, with the artist’s cooperation, it was reinstalled having altered the material from stainless steel to titanium.

作家の略歴

Kozo Nishino: Sculpting the Breath of Air and Memory

Kozo Nishino, born in Hyogo Prefecture, Japan, in 1951, is a sculptor whose monumental works resonate deeply with themes of nature, freedom, and the ephemeral beauty of existence. His career, spanning decades and encompassing projects across continents, has established him as a leading figure in contemporary kinetic sculpture – artists who imbue their creations with movement and responsiveness to environmental forces. Nishino’s art isn't merely about static form; it’s an exploration of how we perceive the world around us, particularly the subtle shifts of wind, light, and space. His sculptures invite contemplation, prompting viewers to consider their own relationship to these fundamental elements.

Early Years and Artistic Foundations

Nishino's artistic journey began with a formal education at the Department of Sculpture at Kyoto City University of Arts in 1977. This foundational period proved crucial, exposing him to traditional sculptural techniques while simultaneously encouraging experimentation with new materials and approaches. Crucially, his early travels throughout Europe, North Africa, the Middle East, and Asia profoundly shaped his artistic vision. These journeys weren’t simply sightseeing expeditions; they were immersive experiences that instilled in him a deep appreciation for diverse cultures, ancient ruins, and the raw beauty of natural landscapes. The weathered stones of forgotten temples, the shifting sands of desert dunes, and the vastness of open skies became integral components of his creative process, informing his understanding of time, memory, and the interconnectedness of all things. This period of intense observation laid the groundwork for his later exploration of wind as a central element in his work.

Kinetic Masterpieces: Wind, Space, and Memory

Nishino’s most celebrated works are characterized by their monumental scale and dynamic interaction with the environment. He is particularly renowned for his sculptures that respond to the wind – graceful, metallic forms that seem to dance and sway in response to even the slightest breeze. The “In the Wind” saxophone sculpture, originally created in 1988 and later recreated in 2003 before the Saitama Museum of Modern Art, exemplifies this fascination with movement and responsiveness. This piece, and many others, demonstrate Nishino’s ability to capture a fleeting moment – the rustle of leaves, the ripple of water, or the whisper of wind – and translate it into a tangible, captivating form. A particularly striking example of his ambition is the 30-meter-diameter titanium arc installed in the 4 World Trade Center building, facing the 9/11 Memorial Museum in New York City. This monumental work serves as a poignant reminder of loss and resilience, its sweeping curve echoing the vastness of the sky while simultaneously acknowledging the tragedy that unfolded below. More recently, in 2018, Nishino created “Breezing in Canberra” and “In the Stream” at the National Arboretum in Australia, further solidifying his reputation as a global artist exploring the interplay between sculpture, nature, and human experience.

Technique and Materials

Nishino’s sculptures are typically constructed from durable materials such as metal – primarily titanium, stainless steel, and aluminum – chosen for their ability to withstand the elements and maintain structural integrity while also possessing a remarkable lightness of form. His innovative approach involves creating complex skeletal structures that appear almost weightless, allowing them to move with surprising grace when influenced by wind currents. The meticulous engineering behind these works is often concealed beneath an elegant surface, contributing to the illusion of effortless movement. He doesn’t simply build; he sculpts air and light into tangible forms, a testament to his deep understanding of physics and aesthetics.

Legacy and Influence

Kozo Nishino's work transcends mere artistic expression; it is an invitation to contemplate the forces that shape our world – the wind, the sky, and the passage of time. His sculptures are not static objects but rather dynamic dialogues between art and environment, inviting viewers to engage with their surroundings in a new way. His influence extends beyond his own creations, inspiring other artists to explore the possibilities of kinetic sculpture and environmental interaction. Nishino’s commitment to large-scale public works ensures that his art will continue to resonate with audiences for generations to come, reminding us of the beauty and fragility of our planet and the enduring power of human creativity. His work is frequently exhibited in prestigious venues like ARTCOURT Gallery and internationally at events such as Taipei Dangdai Art & Ideas, cementing his position as a significant voice in contemporary sculpture.
nishino kozo

nishino kozo

1951 - , Japan

プロフィール概要

  • Artistic Movement Or Style: Kinetic sculpture
  • Artists Who Influenced This Artist: ['None],\n "Artists or movements influenced by this artist": [None']
  • Date Of Birth: 1951
  • Full Name: Kozo Nishino
  • Nationality: Japanese
  • Notable Artworks:
    • In the Wind
    • Sky memory
    • Breezing in Canberra
    • In the Stream
  • Place Of Birth: Hyogo Prefecture, Japan