作品を販売する
ウィッシュリスト ショッピングカート Cart
x
プレビュープレビュー ARで試着ARで試着 手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入 シェアするシェアする
詳細を見る詳細を見る お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 X線調査X線調査 スライドショースライドショー

Morning Glory

Explore Sopheap Pich’s monumental 'Morning Glory,' a striking rattan & bamboo sculpture reflecting Cambodian history & resilience. Contemporary art, scale, & symbolic depth.

Explore the evocative sculptures of Cambodian-American artist Sopheap Pich. His works blend traditional materials & reflect Cambodia's history, identity & contemporary art.

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入)

Standard
custom
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(22 8月)

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

$ 68

reproduction

Morning Glory

ジークレー/アートプリント

複製画のサイズ

-

合計金額

$ 68

作品詳細説明

Sopheap Pich was born in the agricultural town of Battambang in Cambodia, and left the country with his family as a refugee at the end of the Khmer Rouge’s reign, subsequently settling in the United States. However, memories of his childhood experiences in Cambodia and a desire to reconnect with its life drew the artist back to the country in 2002. On returning he was faced with the challenge of relating the contemporary artistic methodologies with which he had become acquainted to local cultural conditions, and to the demands of post–Khmer Rouge political and economic recovery. Through the use of rattan and bamboo, materials familiar from Khmer rural life and craft (they are used to make functional everyday objects such as baskets and fish traps), Pich’s oeuvre bridges the aesthetic and material gulfs between the two. Repurposing these basic components of Cambodian life, he instills the countries’ shared experience with renewed life.In Morning Glory (2011), the ubiquitous plant is rendered at monumental scale. Considered a weed by gardeners, it is a plant that, like Pich’s bamboo and rattan, is generally regarded as unexceptional. However, in Pich’s sculpture, its status is more ambivalent, at once attractive and a possible nuisance, banal but also valued by Cambodians during the Khmer Rouge regime as a source of nourishment. Transforming the rigid stalks into a more malleable substance, Pich treats the material like a line, making a drawing in space. In its metamorphosis, this spare structure refutes its lightweight appearance with a strength that infuses Cambodian life and culture.June Yap

アーティストの略歴

Sopheap Pich: Sculpting Memory and Resilience

Sopheap Pich is a Cambodian American contemporary artist born in Phnom Penh, Cambodia, in 1971. His artistic journey began amidst the harrowing realities of the Khmer Rouge regime—a period marked by unimaginable violence and suffering—leaving him to emigrate to the United States at age 13 as part of a refugee family. This formative experience profoundly shaped his worldview and fueled his creative impulse, inspiring him to explore themes of displacement, identity, and remembrance through sculptural mediums. ### Early Influences and Artistic Formation Pich’s artistic education commenced in Massachusetts Amherst where he earned a BFA followed by an MFA from the School of the Art Institute of Chicago. These academic pursuits instilled in him a foundational understanding of painting techniques while simultaneously nurturing his burgeoning interest in sculpture. Recognizing sculpture as a means to engage intimately with his environment, he deliberately shifted away from traditional painting methods—a decision that would prove pivotal in defining his artistic style. He honed his craft by experimenting with diverse materials and processes, prioritizing tactile exploration and conceptual depth over mere visual aesthetics. Notably, he trained as a Kun Khmer fighter during his youth, which instilled discipline and physical awareness – elements that subtly permeate his sculptural practice. ### Material Exploration and Artistic Style Pich’s artistic style is characterized by its deliberate simplicity and reverence for local Cambodian materials—primarily bamboo and rattan—which serve as central components of his sculptures. Rejecting flamboyant ornamentation or stylistic references to Western art history, he focuses on conveying profound ideas through minimalist forms that echo the landscape and architectural heritage of Cambodia. His sculptural process involves meticulous manipulation of these natural fibers—boiling, cutting, bending, burning, and dyeing—allowing them to speak for themselves as vessels of memory and cultural significance. He sees his sculptures as “scaffolding” for unbuilt forms, reflecting a fascination with potentiality and transformation. This approach aligns with the broader Post-Minimal aesthetic, prioritizing materiality and conceptual resonance over decorative embellishment. ### Notable Works and Exhibitions Pich’s sculptural output encompasses monumental installations like *The Room*, which utilized bamboo strips to explore themes of space and enclosure—a testament to his commitment to confronting complex ideas through tangible forms. His work has garnered international acclaim, appearing in prestigious venues such as the Metropolitan Museum of Art, Guggenheim Museums, Mori Art Museum, M+, and National Gallery Singapore. Furthermore, he was selected for Documenta 13 (2012), cementing his position as a leading voice within contemporary Southeast Asian art. Recent projects include *Compound*, which investigates architectural structures and their relationship to human experience, and *Bricks Before Palaces*, reflecting on Cambodian history and the legacy of monarchy. His exploration of repurposed aluminum—collected from recycling depots—represents a continuing engagement with environmental concerns and social commentary. ### Legacy and Significance Sopheap Pich’s sculptures stand as powerful emblems of resilience and remembrance—a reflection of his personal journey through trauma and displacement, coupled with an unwavering dedication to honoring Cambodian cultural heritage. His work transcends mere aesthetic beauty, inviting viewers to contemplate profound questions about identity, history, and the transformative potential of art. By prioritizing materiality and conceptual depth, Pich has established himself as a seminal figure in contemporary sculpture, shaping dialogues on memory, place, and artistic expression within the global art landscape.
Sopheap Pich

Sopheap Pich

1971 - , Cambodia

基本情報

  • Artistic Movement Or Style: Contemporary sculpture
  • Artists Or Movements Influenced By This Artist: ['Minimalism']
  • Artists Who Influenced This Artist: ['']
  • Date Of Birth: 1971
  • Full Name: sopheap pich
  • Nationality: Cambodian American
  • Notable Artworks:
    • Morning Glory
    • Untitled
  • Place Of Birth: Phnom Penh, Cambodia