Predávajte svoje umenie
Žavčekov zoznam Nákupný košík Cart
NáhľadNáhľad AR náhľadAR náhľad Kúpiť ručne maľovaný obraz Kúpiť ručne maľovaný obrazKúpiť obrázok Kúpiť obrázok OdoslaťOdoslať
Podrobnosti o dieloPodrobnosti o dielo Pridať do obľúbených Pridať do obľúbených StiahnuťStiahnuť Podobné dielaPodobné diela RTG skúškaRTG skúška PrezentáciaPrezentácia

Toad Lilies

  • Rozmery55.0 x 38.0 cm

Discover Yuki Mizoguchi (Ogura Yuki), a pioneering Japanese nihonga painter known for her bijinga art, graceful family scenes & nude portraits from 1895-2000.

Giclée / Umenotlač

Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a flexibilnými možnosťami povrchovej úpravy. (Kúpiť ručne maľovaný obraz Kúpiť ručne maľovaný obrazKúpiť obrázok Kúpiť obrázok)

Standard
custom
CM
INCH

Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.

šírka
výška

Môžete zadať vlastné rozmery, aby sa reprodukcia prispôsobila konkrétnemu rámu alebo priestoru. Ak zvolená veľkosť nebude zodpovedať proporciám originálu, dielo buď orežeme, alebo obraz rozšírime pomocou zrkadlenia či farebného doplnenia okrajov. Pred začatím výroby vám pošleme digitálnu ukážku na schválenie.
Máte na vedomí, že náhľad na obrazovke neodzrkadľuje skutočné orezanie alebo rozšírenie. Len digitálna ukážka presne zobrazí finálnu kompozíciu.
Hoci sú k dispozícii vlastné rozmery, pre zachovanie pôvodných proporcií odporúčame vybrať si rozmer z vopred definovaného zoznamu.

Celosvetová doprava () do 2 týždňov namiesto štandardných 4/5 týždňov. (19 august)

why_choose_icon
Bezplatná expresná doprava po celom svete
why_choose_icon
Prémiové lnianske plátno
why_choose_icon
Kompletné poistenie prepravy
why_choose_icon
Záruka vrátenia colného poplatku
why_choose_icon
Záruka presného farebného zhodnutia
why_choose_icon
60-dňá politika vrátenia (iba pri defektoch)
why_choose_icon
100% záruka vrátenia peňazí
why_choose_icon
Výhodná množstevná zľava

Celková cena

$ 68

reproduction

Toad Lilies

Giclée / Umenotlač

Veľkosť reprodukcie

-

Celková cena za vybrané možnosti

$ 68

Popis predmetu

In this painting, toad lilies, which bloom from the beginning of summer until fall, are arranged in a long-necked Liao Dynasty vase. The origin of their Japanese name, hototogisu, relates to the spots on their petals, which are similar to the spotted pattern on the belly of a species of cuckoo bird also called hototogisu. This piece by Ogura has a pale blue background painted over a light platinum foil, creating a deep hue with a subtle luster. The tall, amply glazed vase holds an exquisite arrangement of these beautiful flowers stretching across the canvas.

Biografia umelca

A Pioneering Spirit: The Life and Art of Yuki Mizoguchi (Ogura Yuki)

Yuki Mizoguchi, known throughout her prolific career as Ogura Yuki, stands as a remarkable figure in 20th-century Japanese art. Born in Ōtsu, Shiga Prefecture, on March 1st, 1895, she navigated a traditionally male-dominated artistic landscape with grace and unwavering dedication, becoming one of the first women to achieve significant recognition within Japan’s esteemed art circles. Her journey began not as an artist but as an educator; after graduating from Nara Women's Normal School (now Nara Women's University), she initially pursued a career in teaching. However, her innate artistic inclinations proved too strong to ignore, leading her to seek tutelage under the renowned Nihonga painter Yukihiko Yasuda in 1920—a pivotal moment that would shape the course of her life and work. This decision marked the beginning of a lifelong exploration of traditional Japanese painting techniques infused with a distinctly modern sensibility.

Early Influences and Artistic Development

Yasuda’s influence was profound, grounding Ogura in the principles of Nihonga – a style characterized by its use of natural pigments, meticulous brushwork, and emphasis on capturing the essence of subjects rather than mere photographic realism. Yet, even within this established framework, Ogura began to forge her own path. Her early works, emerging in the 1920s, demonstrated a remarkable precision and clarity, often depicting serene family scenes and delicate still lifes. The selection of her painting *Kyuri* (Cucumbers) for inclusion in the prestigious Inten Exhibition in 1926 signaled her arrival on the professional art scene and validated her burgeoning talent. This early success wasn’t merely a matter of technical skill; it reflected a unique perspective, a quiet observation of everyday life imbued with a subtle emotional depth. As she matured, Ogura's style evolved, subtly incorporating elements that hinted at Western influences—a testament to her openness and willingness to experiment while remaining deeply rooted in Japanese aesthetics.

A Trailblazer Within the Nihonga Tradition

Ogura’s ascent within the art world was not without its challenges. In 1932, she achieved a groundbreaking milestone by becoming the first woman admitted as a member of the Japan Fine Arts Academy (Nihon Bijutsu-in), a testament to her exceptional talent and unwavering commitment. This achievement paved the way for future generations of female artists in Japan. Throughout the following decades, Ogura continued to refine her artistic voice, exploring themes of femininity, motherhood, and the beauty inherent in the natural world. Her paintings often featured pure, vibrant colors and bold lines, creating a sense of tension and dignity within her compositions. While she never abandoned the core principles of Nihonga, her work increasingly reflected a modern sensibility—a delicate balance between tradition and innovation that captivated critics and audiences alike. The postwar period saw a further evolution in her style, with larger-scale portraits of friends and family members, often depicted in the nude, pushing boundaries and challenging conventional notions of representation within Japanese art.

Legacy and Historical Significance

Yuki Ogura’s contributions to Japanese art extend far beyond her technical mastery and aesthetic innovations. She became a role model for aspiring female artists, demonstrating that it was possible to achieve prominence in a field historically dominated by men. Her appointment as a member of the Japan Art Academy (Nihon Geijitsu-in) in 1976, followed by her honorary chairpersonship, solidified her position as a leading figure within the art establishment. The prestigious Order of Culture award she received in 1980—an honor bestowed upon only three female Nihonga painters to date (alongside Uemura Shōen and Kataoka Tamako)—underscored her lasting impact on Japanese culture. Her studio and home in Kamakura served as a creative haven throughout her long life, where she continued to paint until her death at the remarkable age of 105 in 2000. Today, Ogura’s works are celebrated for their exquisite beauty, emotional depth, and pioneering spirit. She remains an enduring symbol of artistic innovation, feminine strength, and the power of tradition to inspire contemporary expression.
mizoguchi yuki

mizoguchi yuki

1895 - 2000 , Japan

Základné informácie

  • Artistic Movement Or Style: Nihonga painting
  • Artists Who Influenced This Artist: ['Yukihiko Yasuda']
  • Date Of Birth: March 1, 1895
  • Date Of Death: July 23, 2000
  • Full Name: Yuki Ogura
  • Nationality: Japanese
  • Notable Artworks:
    • Bathing Women
    • Mother and Child
    • Apprentice Geisha
  • Place Of Birth: Ōtsu, Japan